CUB 007
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ARTS-2323-001 Life Drawing I
<p>Prerequisite: ARTS 1317</p>
Basic study of the human form.
Student ResourcesStudent Resources Website
(3 sem hrs; 2 lec, 4 lab)
On Campus Course
REQUIRED TEXT:
Valerie L. Winslow, Classic Human Anatomy: The Artist’s Guide to Form, Function and Movement (Watson-Guptil, NY, NY: 2009)
ISBN: 0-8230-2415-6
Recommended texts: SUPPLIES:Supplies
ARTS 2323 Life Drawing I: Basic study of the human form
Exemplary Educational Objectives ACGM
Specific Course Outcomes
Students will:
In order to receive your AC Connect Email, you must log in through AC Connect at https://acconnect.actx.edu .
If you are an active staff or faculty member according to Human Resources, use "Exchange". All other students, use "AC Connect (Google) Email".
CRITIQUES: Critique allows all class members to evaluate the effectiveness of each drawing. Respect for each other is of the utmost importance. This part of our classroom activities is crucial to the creative and technical learning process, giving you an opportunity to learn from your peers. Your participation (or lack thereof) in critique will impact your grade.
BEHAVIOR: The key word regarding class behavior is RESPECT. Every person in the room deserves and will receive the respect of others. Disruptions and/or any behavior that the instructor considers inappropriate will not be tolerated and will result in dismissal from the class. Every student is expected to be involved and engaged with other students and the instructor. For this reason, NO HEADPHONES OR PERSONAL ELECTRONIC DEVICES ARE ALLOWED.
POLICY CONCERNING MODELS:
GRADING POLICY:
Student grades will be based on 100 total points and four major areas of assessment, weighted as follows:
LATE and MAKE-UP WORK: Because in-class work is almost always a response to a specific prompt and model, it can rarely be “made up”. This is the reason for the absence policy.
TARDINESS should be avoided. We are working with an undraped model, and late arrival is disruptive. After the class begins, the door will be locked, and you will not be able to enter until break.
GRADING SCALE:
Because art is more subjective than many other fields, it is important to understand some of the broad areas of assessment in this class. Portfolios will be evaluated using a four-point scale, which corresponds to letter grades. Four major areas will be assessed. (I will also utilize +/- (or .5 points)
Technique/Use of materials/Composition
A/4: Exceptional technique/use of materials/composition
B/3: Effective technique/use of materials/composition
C/2: Acceptable technique/use of materials/composition
D/1: Poor technique/use of materials/composition
Concepts/Ideas/Exploration
A/4: Ideas are highly inventive, innovative and effective
B/3: Interesting ideas and concepts
C/2: Ideas are standard but acceptable
D/1: Ideas are stereotypical with little effort at discovering or expressing personal visual language
Work ethic/ Presentation/Craft (including presentation in portfolio)
A/4: Exceptional work ethic and professional presentation
B/3: Energetic working method and effective presentation
C/2: Minimal energy applied to work, lackluster presentation
D/1: Lack of enthusiasm, careless presentation
As part of the portfolio reviews, I will also look at your writing:
Reflection/Observation/Writing
A/4: High level of insight and quality of writing
B/3: Good level of insight and quality of writing
C/2: Acceptable level of insight and quality of writing
D/1: Low level of insight and quality of writing
This system corresponds to that of the GPA:
LACK OF ATTENDANCE WILL RESULT IN GRADE DEDUCTIONS
Additional information on grading:
“A” level coursework/final:
A number of drawings that demonstrate an excellent accurate, proportional depiction of the full human figure, as well as works that consistently demonstrate a mastery of the elements and principles of design, particularly line variation, lighting/value, texture, and composition. A number of drawings will also demonstrate expressiveness and experimentation with new techniques and concepts.
The final digital portfolio will follow the requirements listed, and the photographs will be appropriately edited and labeled as per instructions.
“B” level coursework/final:
Some drawings that demonstrate a solid accurate, proportional depiction of the full human figure, as well as works that consistently demonstrate the development of the elements and principles of design, particularly line variation, lighting/value, texture, and composition. There will also be works that show expressiveness and experimentation with new techniques and concepts.
The final digital portfolio will follow the requirements listed, and the photographs will be appropriately edited and labeled as per instructions.
“C” level coursework/final:
A number of drawings that demonstrate the development of an accurate, proportional depiction of the full human figure, as well as works that demonstrate the development of the elements and principles of design, particularly line variation, lighting/value, texture, and composition. There will also be willingness to demonstrate expressiveness and experimentation with new techniques and concepts.
The final digital portfolio will follow the requirements listed, and the photographs will be appropriately edited and labeled as per instructions.
“D” level coursework/final:
“D” level work is usually the result of too many absences combined with average coursework.
The final digital portfolio does not follow the requirements listed, or photographs may not be appropriately edited and labeled as per instructions
“F” level coursework/final:
“F” level work is usually the result of too many absences.
Final Portfolio not turned in.
A discussion on “best effort”: It is one of the frustrations of art studio courses that you may feel that you have put forth your “best effort”, and yet not received an “A”. (for example: I can guarantee that my very best effort in Trigonometry would not earn me an “A”) Please consider that while art is somewhat subjective, there are some objective standards – most of which are circumscribed in the Elements and Principles of Design. Please read, understand and try to practice these skills. Also, figure drawing, like any course of study, requires regular practice beyond what is required in class. The more you practice, the more proficient you will become. This is the reason for the homework assignments in your sketchbook, but your own work in the sketchbook is equally important for your progress in the course, and more importantly, for your growth as an artist.
ATTENDANCE POLICY: Attendance is CRITICAL to your success in this course. Please note that Amarillo College allows only 2 absences for any reason, with the consequences of missing additional classes to be determined at the discretion of the instructor. Therefore:
In addition to the requirement to be in class for demonstration, lecture and work time, your presence is a source of insight and learning for all class members. The impact of your full participation cannot be overestimated.
LIFE DRAWING (Drawing III) USE pencils/pens/sharpie in sketchbook- not charcoal
Subject to change
Week Tuesday Thursday
1 Aug. 23 Aug 25 |
Syllabus Introductory PP: Major figurative artists and peer examples
Homework: “I know what I like” See handout
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Class Discussion: Your artist examples - take notes in sketchbook: who interests you/why, techniques to try, etc.
Sketchbook overview and Begin to collect ephemera – bits of paper, etc that may be used as collage elements |
2 Aug. 30 Sept. 1 |
PROMPT: Mark-making
BRING NEWSPRINT PAPER AND
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PROMPT/MODEL: Introduction to Gesture Drawing & learning to see the figure in terms of shapes
Homework/Sketchbook: Introduction to Gesture Drawing Read: pp 244-251 (proportion of the figure and gesture) Homework/Sketchbook: Copy 5 of the gesture drawings from the packet |
3 Sept. 6 Sept. 8 |
PROMPT/MODEL: learning to see the figure in terms of shapes continued
Homework/Sketchbook: Read: pp 26- 39 (midline), Copy diagrams: p 145, 148 (structure of torso, showing the midline and shoulder/pelvic axes - use technique in class)
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PROMPT/MODEL:
Homework/Sketchbook: Read: Chapter 3 Sketch the spinal diagrams on: p. 113 (lower right) and all on p. 114 (flexion and extension of spine) Sketch the ribcage and thoracic arch diagrams on the lower part of p 115 (notice the REAL structure of the ribcage) |
4 Sept. 15 Sept. 17 |
PROMPT/MODEL:
Homework/Sketchbook: Referring to the handout and to pp 246 - 248, complete 10 gesture drawings in your sketchbook by visiting “posemaniacs.com” and completing 5 gesture drawings on the 1-minute timer, and 5 on the 30-second timer
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PROMPT/MODEL:
Homework/Sketchbook: Read: pp 132 – 135 (the “six-pack”, the obliques and the inguinal ligament) Copy the six figures (with highlighted elements) on p 135 |
5 Sept. 20 Sept. 22 |
PROMPT/MODEL:
Homework/Sketchbook: Read pp. 61- 67 (the muscular structure, types of muscle, and the muscles of the arm) Copy the drawing on p. 61 (full figure) Re-read pp. 122-125 (the muscles of the torso) Copy the muscle studies on pp. 122 and 123 (torsos), and the drawing on 144 (study of back with arms up)
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PROMPT/MODEL:
Homework/Sketchbook: Copy all drawings/ diagrams on p. 178 (the structure and surface forms of the arms – use technique in class)
Read: pp. 222-225 Copy all diagrams on p. 222 (the structure and surface forms of the arms – use technique in class) |
6 Sept. 27 Sept. 29 |
PROMPT/MODEL:
Homework/Sketchbook: Read: pp. 69-107 (the head, face and neck) Copy studies of the central axis of the head, p. 96. (lower left: central axis of the head, multiple views) |
PROMPT/MODEL:
SKETCHBOOK CHECK |
7 Oct. 4 Oct. 6 |
PROMPT/MODEL:
Homework/Sketchbook: Copy planar studies (2), p. 97 and Copy the “Skeletal Portrait” on p. 69.
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PROMPT/MODEL:
Homework/Sketchbook: Read: pp. 183-199 (the hands) Copy the drawing on p 188 (the hand in 8 poses)
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8 Oct. 11 Oct. 12 |
PROMPT/MODEL:
Homework/Sketchbook: Read: pp. 232, 238-241 (the feet) Copy the drawing on p 233 (left side: the foot in 8 poses
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PROMPT/MODEL:
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9 Oct. 18 Oct. 20 |
PROMPT/MODEL:
PLEASE NOTE: YOU SHOULD BE PREPARING FOR YOUR MIDTERM REVIEW NOW
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PROMPT/MODEL:
PLEASE NOTE: YOU SHOULD BE PREPARING FOR YOUR MIDTERM REVIEW NOW
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10 Oct. 25 Oct. 27 |
Midterm reviews this week
While people wait for their individual meetings, prepare at least 2 sheets of paper with collage elements (to be discussed in class)
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Midterm reviews this week
While people wait for their individual meetings, make prepared paper, or work on sketchbook assignments
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11 Nov. 1 Nov. 3 |
PROMPT/MODEL:
Homework/Sketchbook: Research an artist that features the figure in their work. If you do not know of any artists whose work interests you, look at your notes from January 23, or begin to look at sources. Go to the library, or search online. (I am deliberately leaving instructions loose).
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PROMPT/MODEL:
Homework/Sketchbook: Research an artist, cont:
In your sketchbook, “copy” at least two compositions by your chosen artist. Also include written information about them, their subject matter, and their ideas, as well as your responses to their work.
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12 Nov. 8 Nov. 10 |
PROMPT/MODEL:
PROMPT/MODEL: Homework/Sketchbook: Draw a self-portrait in a mirror. Accomplish as much as possible in 30 minutes |
PROMPT/MODEL:
Homework/Sketchbook: Try to feel your internal anatomy and interior movement in your own body. Depict that in any way you wish – this is an exercise in imagination. |
13 Nov. 15 Nov. 17 |
PROMPT/MODEL:
Turn in your artist statement for Showcase for my review
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PROMPT/MODEL:
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14 Nov. 22 Nov. 24 |
PROMPT/MODEL:
SKETCHBOOKS TURNED IN – FINAL TIME |
Thanksgiving |
15 Nov. 29 Dec. 1 |
SHOWCASE/TBA? |
SHOWCASE/TBA? |
16 Dec. 6 Dec. 8 |
In Class/Homework: Photograph your work with a digital camera |
(class at CTL – Google Drive portfolio)
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17 Dec. 13 Dec. 15 |
Finals Week CD portfolios due today by noon OR UPLOAD IMAGES TO GOOGLE DRIVE
http://chronicle.com/blogs/profhacker/ host-a-website-on-google-drive/46737
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Finals Week Dec. 12 - 16 Final Portfolios due Dec 13
Some specific works will be given special attention, and should be included in your Final Portfolio as well as your Showcase images:
STUDENT ACCESS: Any student who has a disability that may prevent him/her from fully demonstrating his/her abilities should contact the instructor as soon as possible to discuss the necessary accommodations for your participation
11/30/-1 12:00 AM
11/30/-1 12:00 AM