By appointment only.
If you have a disability (learning, mental, physical) that affects your ability to participate effectively and have access to any program or service at Amarillo College please contact Disability Services at (806) 345-5639 . Our offices are located in the Student Service Center office 112. More information may be found at www.actx.edu/disability.
Disability Services facilitates access to all programs and services according to the ADA, Americans with Disabilities Act and Section 504 of the Rehabilitation Act, as well as other federal and state laws.
Amarillo College is committed to providing equal access to all programs and services, including all working, learning, and service environments that affect equal access for persons with disabilities. This commitment to provide equal access and opportunity for persons with disabilities is in compliance with federal and state law. Amarillo College also strives to provide Electronic and Information Resources (EIR) that are accessible to all authorized users.
If you find you are unable to access material in an accessible format please contact the Disability Services Office at (806) 345-5639 . This office will work in conjunction with other campus resources to address and accommodate your issue in a timely manner.
As a student you may experience a range of issues that can cause barriers to learning, such as strained relationships, increased anxiety, alcohol/drug problems, feeling down, difficulty concentrating and/or lack of motivation. These mental health concerns or stressful events may lead to diminished academic performance or reduce a student's ability to participate in daily activities. Amarillo College offers services to assist you with addressing these and other concerns you may be experiencing. If you or someone you know are suffering from any of the aforementioned conditions, you can learn more about the broad range of confidential mental health services available on campus by calling the AC Counseling Center at 806-371-5900. The AC Counseling Center website is https://www.actx.edu/counseling/ . Also, if you are in need of social services (affordable housing, utilities, transportation, food, clothing, childcare, medical/dental/vision, legal), please call the AC Advocacy & Resource Center at 806-371-5439. The AC Advocacy & Resource Center website is https://www.actx.edu/arc
The Tutoring for Success policy applies to any student whose grade or performance in the course falls below a departmentally determined minimum threshold. In either of those cases, the instructor will direct the student to the appropriate tutoring service, which may be faculty-led, discipline-specific, and/or general. Under this policy, the instructor will follow specific departmental guidelines governing the use, duration, and grade component of the tutoring need.
Students who do not attend class on or prior to the census date will be administratively dropped. Effective Fall, 2016
Students who wish to withdraw from a course must complete all steps indicated on the Academic Withdrawal Request form by the course withdrawal deadline.
NOTE: Students who are attending Texas institutions of higher education, for the first time fall 2007 and later, may not withdraw from more than six courses during their academic career. This withdrawal limitation does not include dual credit or developmental classes (Senate Bill 1231 Rule 4.10.) For more information on Drop and Withdrawal Policies, please visit the Registrar's Office Web site.
The Amarillo College Privacy Policy is found at https://www.actx.edu/-amarillo-college-privacy-notice , and applies to all Amarillo College students. If you have questions about this privacy statement or you believe that your personal information has been released without your consent, send email to humanresources@actx.edu .
COMM-2366-001 Introduction to Film
An introductory course in film studies which surveys the American film industry as an art form, a business and a means of communication. Extensive screenings and analysis of representative films from various genres. An examination of how Hollywood films work technically, artistically and culturally.
Student ResourcesStudent Resources Website
Notice to Students enrolled in an educational program for preparation of issuance of certain occupational licenses:
Students enrolled in an educational program in preparation for obtaining certain occupational licenses are potentially ineligible for such license if the student has been convicted of an offense. For further information, please contact:
Melodie Graves
Justice Involved Advocate
Student Service Center 117
mgraves24@actx.edu
806-371-5995
Make appointment at https://melodiegraves.youcanbook.me
You can also contact the Legal Clinic, or the faculty member in charge of the educational program that you seek to enroll in. The further information you will receive will include notification to you of your right to request a criminal history evaluation letter from the licensing authority in order to clarify your particular situation.
(3 sem hrs; 3 lec)
Online Course
Film Art: An Introduction, 11th Ed. | David Bordwell, Kristin Thompson, Jeff Smith
In an attempt to alleviate concerns about taking a film course, the assigned films were carefully chosen for their accessibility. Therefore, all of the films are accessible online or at public libraries. As there is weekly discussion, you must watch the assigned film in the designated week outlined on the weekly schedule. It is your responsibility to acquire and view the films.
Disclaimer: Films in this course range from a PG rating to an R rating. R rated films can feature violence, language, sexual content, substance abuse and nudity. If you are unable to watch a film due to personal convictions, please contact me at the beginning of the semester for alternative assignments.
In order to receive your AC Connect Email, you must log in through AC Connect at https://acconnect.actx.edu .
If you are an active staff or faculty member according to Human Resources, use "Exchange". All other students, use "AC Connect (Google) Email".
Plagiarism is unacceptable. Plagiarism is considered serious academic misconduct. All written assignments presented in this class must be original work by the student. Any student caught plagiarizing or cheating will receive a failing grade for the course.
Scholastic dishonesty shall include, but not be limited to, cheating on a test, plagiarism, and collusion. Cheating on a test shall include: 1. Copying from another student’s test paper. 2. Using test materials not authorized by the person administering the test. 3. Collaborating with or seeking aid from another student during a test without permission from the test administrator. 4. Knowingly using, buying, selling, stealing, or soliciting, in whole or in part, the contents of an unadministered test. 5. The unauthorized transporting or removal, in whole or in part, of the contents of the unadministered test. 6. Substituting for another student, or permitting another student to substitute for one’s self, to take a test. 7. Bribing another person to obtain an unadministered test or information about an unadministered test. Plagiarism shall be defined the unacknowledged submission or incorporation of another person's/organization's work as one’s own written work for purposes of receiving grades in this course and/or publication in a student media outlet, regardless of whether the lifted material represents the original work in its entirety or in part. Collusion shall be defined as the unauthorized collaboration with another person in preparing written work for fulfillment of course requirements. A complete statement regarding scholastic dishonesty can be found in the Student Code of Conduct inStudent Rights and Responsibilities in this syllabus.
Grading Breakdown:
Online Discussion | 15%
Short Formal Analyses | 30% (3 assignments, 10% each)
Shot-by-Shot Analysis | 20%
Group Project | 15%
Final Exam | 20%
Assignment Summaries
Online Discussion | 15%
As an online course, the bulk of your interaction with other students occurs in our online discussions. Beginning in Week 1, you will be required to write two responses each week to the discussion question posted in connection to the assigned film. Your responses must answer the discussion question and also react to at least one discussion post of your classmates. However, you are more than welcome to pose other questions to bring about other discussions in a separate post. In order to receive full marks in the discussion, your post should demonstrate that you watched the film, and also incorporate the knowledge gleaned from lectures and assigned readings. Therefore, posts resembling plot summaries attainable on Wikipedia, IMDb, or other movie review sites will not be accepted. Additionally, posts without in-depth responses (approx. 100 wds.) will not receive a grade—that being the case, you need to write more than “I agree” or “I disagree.”
Short Formal Analyses | 30% (3 assignments, 10% each)
Beginning in Week 3, you will be given a brief clip from the assigned film to analyze. This course is primarily concerned with understanding the cinematic language and formal elements of film, therefore your analysis should be focused on using the terminology and methods (stylistic, historical, and theoretical) of analysis discussed in the readings or lectures provided. This is not a film review. For example, focus on how the lighting influences perceptions of character types, how the camera movement carries the narrative flow, or how the editing conveys urgency. The options are endless and completely up to your observations of film form in the assigned scenes. To ensure your analysis has a central point, like the aforementioned examples, each analysis must have a thesis statement in the introductory paragraph. Following the thesis statement, your body paragraphs will support your argument with sufficient evidence to prove your argument. As this assignment is short, you will not be required to have a conclusion.
You have one week to complete your short formal analyses.
The Short Formal Analysis must be approximately 400-500 words, double-spaced, Times New Roman, with your thesis statement bolded. Comments will be provided, if needed, on your submissions to establish where improvements can be made in future assignments.
Shot-by-Shot Analysis | 20%
The shot-by-shot analysis will be a technical and written exercise that will require you to watch a designated scene from Psycho and break it down into separate shots. Once they are dissected into shots, you will describe the shot, its shot scale (close-up, extreme long shot, etc.), length of the shot, and camera movement in the shot. After discerning these elements of the shot, you will write a 300 word reflection on the patterns recognized and how they are used to build suspense. Since this a lengthy task, you will be given two weeks from the assignment date to complete it.
Group Project | 15% The group project will be assigned in Week 7. It requires you to research an Independent Film company and answer the prompts as it relates to the company. The purpose of this assignment is to understand how Independent Film companies function outside of major motion picture studios, their business models, and the types of films they make, produce, and distribute. After answering the writing prompts, write a 800 word research summary of the chosen Independent Film company with a cohesive writing voice.
Final Exam | 20%
The Final Exam will be posted in Week 7 and you will have one week to complete the exam. Your final exam will consist of multiple choice questions You will be tested on course from Week 1 to Week 7.
• Students are expected to login 3 to 5 times a week and participate in Online Discussion.
Part One: Early Cinema, Film Style, & Genre
Week 1 | Introduction & The Silent Era
June 7 - June 13
Read: Film Art: Ch. 2: The Significance of Film Form
Watch: Selected Silent Shorts
Discuss: Introduce Yourself
Week 2 | Narrative and Screwball Comedy
June 14 - June 20
Read: Film Art: Ch. 3: Narrative Form
Watch: Bringing Up Baby (Hawks 1938)
Discuss: Bringing Up Baby
Week 3 | Mise-en-scène and The Musical
June 21 - 27
Read: Film Art: Ch. 4: Mise-en-scène
Watch: Meet Me in St. Louis (Minnelli 1944)
Assignment: Short Formal Analysis (due June 27 @ 11:59 p.m.)
Discuss: Meet Me in St. Louis
Week 4 | Cinematography and Film Noir
June 28 - July 4
Read: Ch. 5: Cinematography
Watch: Double Indemnity (Wilder 1944)
Assignment: Short Formal Analysis (due July 4 @ 11:59 p.m.)
Discuss: Double Indemnity
Week 5 | Editing and Science Fiction Film
July 5 - July 11
Read: Film Art: Ch. 6: The Relation of Shot to Shot: Editing
Watch: Invasion of the Body Snatchers (Siegel 1956)
Short Formal Analysis (due July 11 @ 11:59 p.m.)
Discuss: Invasion of the Body Snatchers
Week 6 | Editing and Thrillers
July 12 - July 18
Watch: Psycho (Hitchcock 1960)
Shot-by-Shot Analysis (due July 25 @ 11:59 p.m.)
Discuss: Psycho
Part Two: Contemporary Cinema & The Film Industry
Week 7 | Sound and New Hollywood
July 19 - 25
Read: Film Art: Ch. 7: Sound in the Cinema
Watch: Bonnie & Clyde* (Penn 1967)
Final Exam (due August 5 @ 11:59 p.m.)
Discuss: Bonnie and Clyde
Week 8 | Stardom and The Film Industry
July 26 - August 6
No Readings
Watch: The Grand Budapest Hotel (Anderson 2014)
Help in navigating the course website can be found at www.actx.edu and clicking on "AC Connect."
Students may use the computers located in the Mass Media Lab in Parcells Hall 214 or in the Lynn Library on the fourth floor of Ware Student Center to access AC Connect.
Students are encouraged to follow the Matney Mass Media department and The Ranger on social media and read The Ranger at www.acranger.com.
Matney Mass Media Department on Facebook: https://www.facebook.com/ACmassmedia
Matney Mass Media Department on Twitter: https://twitter.com/acmassmedia
The Matney Mass Media Messenger http://acmassmedia.wordpress.com/
The Ranger: www.acranger.com
The Ranger on Facebook: https://www.facebook.com/acrangerpaper
The Ranger on Twitter:https://twitter.com/acranger
The Ranger on Instagram: http://instagram.com/acranger
Department website: www.actx.edu/massmedia
AC offers many opportunities to explore the mass media. Ask your instructor how you can become a D.J. on FM-90, can write for the College newspaper and can join the crew shooting live football video this fall. Don’t miss your chance to take photos for the College magazine or work as a videographer, graphic artist or web designer for the College’s news website. In addition, AC mass media faculty can help you find paid positions in the local media industry. Don’t just sit there—get involved!
05/23/21 3:02 PM
05/23/21 3:07 PM