Music Appreciation Syllabus for 2023-2024
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Instructor Information

Office Location

<p>Music Office MB304</p>

Office Hours

Please email for office hours or to set up an appointment.

Course Information

COVID-19 Protocols

Recording Policy

Disability Statement

If you have a disability (learning, mental, physical) that affects your ability to participate effectively and have access to any program or service at Amarillo College please contact Disability Services at (806) 345-5639 . Our offices are located in the Enrollment Center, Suite 700. More information may be found at www.actx.edu/disability.
Disability Services facilitates access to all programs and services according to the ADA, Americans with Disabilities Act and Section 504 of the Rehabilitation Act, as well as other federal and state laws.

Amarillo College Web Accessibility Policy Statement

Amarillo College is committed to providing equal access to all programs and services, including all working, learning, and service environments that affect equal access for persons with disabilities. This commitment to provide equal access and opportunity for persons with disabilities is in compliance with federal and state law. Amarillo College also strives to provide Electronic and Information Resources (EIR) that are accessible to all authorized users.

If you find you are unable to access material in an accessible format please contact the Disability Services Office at (806) 345-5639 . This office will work in conjunction with other campus resources to address and accommodate your issue in a timely manner.

Statement for Mental Health and Advocacy & Resource Center:

As a student you may experience a range of issues that can cause barriers to learning, such as strained relationships, increased anxiety, alcohol/drug problems, feeling down, difficulty concentrating and/or lack of motivation. These mental health concerns or stressful events may lead to diminished academic performance or reduce a student's ability to participate in daily activities. Amarillo College offers services to assist you with addressing these and other concerns you may be experiencing. If you or someone you know are suffering from any of the aforementioned conditions, you can learn more about the broad range of confidential mental health services available on campus by calling the AC Counseling Center at 806-371-5900. The AC Counseling Center website is https://www.actx.edu/counseling/ . Also, if you are in need of social services (affordable housing, utilities, transportation, food, clothing, childcare, medical/dental/vision, legal), please call the AC Advocacy & Resource Center at 806-371-5439. The AC Advocacy & Resource Center website is https://www.actx.edu/arc

Amarillo College Tutoring for Success Policy:

Tutoring for Success applies to any student whose overall performance in the course falls below 75%. The instructor will create the task in the Student Engagement Portal (Watermark) to direct the student to the appropriate tutoring service, which may be faculty- or SI-led, discipline-specific, and/or general. The tutoring service assigned, the due date for when the tutoring must be completed, and the amount of tutoring required are at the discretion of the instructor. Additionally, the task will alert the student’s success team. Students who do not fulfill the assigned tutoring task may be subject to program- and course-specific penalties that could result in a grade reduction and/or in not being allowed to progress in the course until the tutoring requirement has been satisfied.

Administrative Drop Policy

Students who do not attend class on or prior to the census date will be administratively dropped. Effective Fall, 2016

Student Withdrawal Procedures

Students who wish to withdraw from a course must complete all steps indicated on the Academic Withdrawal Request form by the course withdrawal deadline.

NOTE: Students who are attending Texas institutions of higher education, for the first time fall 2007 and later, may not withdraw from more than six courses during their academic career. This withdrawal limitation does not include dual credit or developmental classes (Senate Bill 1231 Rule 4.10.) For more information on Drop and Withdrawal Policies, please visit the Registrar's Office Web site.

Privacy Statement

The Amarillo College Privacy Policy is found at https://www.actx.edu/-amarillo-college-privacy-notice , and applies to all Amarillo College students.  If you have questions about this privacy statement or you believe that your personal information has been released without your consent, send email to humanresources@actx.edu .

Course

MUSI-1306-009 Music Appreciation

Prerequisites

Course Description

Understanding music through the study of cultural periods, major composers, and musical elements.  Illustrated with audio recordings and live performances. (Does not apply to a music major degree.)

Student ResourcesStudent Resources Website

Department Expectations

Occupational License Disclaimer

Notice to Students enrolled in an educational program for preparation of issuance of certain occupational licenses:

Students enrolled in an educational program in preparation for obtaining certain occupational licenses are potentially ineligible for such license if the student has been convicted of an offense. For further information, please contact:

Melodie Graves
Justice Involved Advocate
Student Service Center 117
mgraves24@actx.edu
806-371-5995
Make appointment at https://melodiegraves.youcanbook.me

You can also contact the Legal Clinic, or the faculty member in charge of the educational program that you seek to enroll in. The further information you will receive will include notification to you of your right to request a criminal history evaluation letter from the licensing authority in order to clarify your particular situation.

Hours

(3 sem hrs; 3 lec)

Class Type

Online Course

Syllabus Information

Textbooks

The following course materials are used in this curriculum:

The Enjoyment of Music, 14e, by Joseph Machlis and Kristine Forney INCLUDING Total Access code for online access of all listening and supplemental materials 

Each student is expected to have his/her own paperback or digital e-book copy of The Enjoyment of Music, 14e, by Joseph Machlis and Kristine Forney AND a new TOTAL ACCESS code for online listening and supplemental content.  The TOTAL ACCESS code is included with a new purchase of textbook or e-book.  If you purchase or rent a previously used book, you will have to purchase an additional new TOTAL ACCESS code from the bookstore.

Please note: An e-book is INCLUDED in the purchase of the TOTAL ACCESS code.  If you do not prefer a physical copy of the textbook, the TOTAL ACCESS/Ebook is the most economical way to get all materials needed for this course.

The materials are available at the Amarillo College bookstore https://www.actx.edu/bookstore/

NAXOS Music Library 

Each student is expected to have reliable access to the NAXOS online recordings library, access to which is provided through the Amarillo College Library.  To enter the database through the Amarillo College Library website, go to https://www.actx.edu/library/music (DO NOT use Internet Explorer) and then enter your AC credentials.

Supplies

  • access to text and listening materials outlined above
  • reliable and consistent access to ACOnline

Student Performance

Learning Outcomes
Upon successful completion of this course, students will:
  1. Identify musical works and elements in a variety of styles.
  2. Analyze the elements and structures of music using appropriate terminology.
  3. Critically evaluate the influence of social, political, technological, and/or cultural ideas on music.
  4. Articulate the significance of music as an art form within historical, cultural and social contexts.

Students Rights and Responsibilities

Student Rights and Responsibilities

Log in using the AC Connect Portal

In order to receive your AC Connect Email, you must log in through AC Connect at https://acconnect.actx.edu .

If you are an active staff or faculty member according to Human Resources, use "Exchange". All other students, use "AC Connect (Google) Email".

Expected Student Behavior

Online communication is should always be curteous in tone.  Profanity and/or targeted negative personal comments will not be tolerated. Attendance of two live concert events, at the student's scheduling convenience, during the semester is required.

Grading Criteria

Grades will be weighted as follows:

  • Assignments (Module 1 quizzes and assignments, chapter tutorials, discussions) = 30%
  • Module & Final Exams (InQuizitive, listening identification quizzes, era quizzes, comprehensive final) = 30%
  • Journals = 15%
  • Concert Reactions* = 15%
  • Final Project = 10%

* attendance of two live concert events, at the student's scheduling convenience, during the semester is required to complete concert reaction papers

Grade scale is as follows:

  • A = 90-100
  • B = 80-89
  • C= 70-79
  • D = 60-69
  • F = -59

All assignments are available and open for students to complete for a time period of no less than three days to allow ample time for submission of materials.  Students are accountable for planning their time wisely and submitting work well before deadlines to avoid last-minute technical or human complications.  Course deadlines will NOT be extended.

Attendance

Students are expected to spend approximately 3-5 hours per day (8-week and summer terms) or 1-2 hours per day (15/16-week semester) logged into the course. The entire course, including tests, takes place on the web, although attendance of two live concert events, at the student's scheduling convenience, during the semester is required to complete concert reaction papers.

Calendar

  • Unit

    Days 8/15 wk

    Chapter/Quiz/Exam

    Listening Repertory

    Module I-

    Course Introduction

    2/5

    Communication Journal

    Syllabus Quiz

    How to Use InQuizitive

    Naxos Quiz

    Module II-

    Materials of Music

    7/14

    Prelude 1

    1: Melody

    2: Rhythm and Meter
    3: Harmony
    4: Organization of Sounds

    5: Texture
    6: Form

    7: Expression
    8: Text and Music

    9: Voices and Instrument Families

    10: Western Instruments

    11: Musical Ensembles
    12: Style and Function of Music

    13: Many Voices

    14: Putting Music into Words

    Listening Journal

    Britten: The Young Person’s Guide to the Orchestra

    Module III-

    Medieval/

    Renaissance

    7/14

    Prelude 2

    15: Voice and Worship

    16: Layering Lines

    17: Storytelling through Song
    18: Symbols and Puzzles

    19: Singing in Friendship

    20: Remember Me

    21: Glory Be

    22: Instrumental Movements

    Listening Journal

    Module Listening & Era Quiz

    Gregorian chant: Kyrie
    Hildegard: Alleluia
    Notre Dame School: Gaude Maria virgo

    de Vaqueiras: Kalenda maya

    Machaut: Ma fin est mon commencement

    Monteverdi: Si ch’io vorrei morire

    Farmer: Fair Phyllis
    Josquin: Ave Maria

    Palestrina: Pope Marcellus Mass

    Susato: Three Dances

    Module IV-Baroque

    7/14

    Prelude 3
    23: Voicing Gender

    24: Performing Grief

    25: Musical Sermons

    26: Textures of Worship

    27: Independent Study

    28: Grace and Grandeur

    29: Sounding Spring

    30: Process as Meaning

    Listening Journal

    Module Listening & Era Quiz

    Concert Reaction #1

    Cozzolani: Magnificat

    Strozzi:Amor

    Purcell: Dido and Aeneas

    Bach: Wachet auf Cantata

    Handel: Messiah

    Billings: David’s Lamentation

    Bach: Orchestral Suite No. 3

    Vivaldi: The Four Seasons

    Bach: "Little" Fugue

    Module V- Classical

    7/14

    Prelude 4

    31: Musical Conversations
    32: The Ultimate Instrument
    33: Expanding the Conversation

    34: Conversation with a Leader

    35: Personalizing the Conversation

    36: Disrupting the Conversation

    37: Making It Real

    3/: Mourning a Hero

    Listening Journal

    Module Listening & Era Quiz

    Haydn: Joke Quartet
    Haydn: Symphony No. 94 (
    Surprise)

    Mozart: Eine kleine Nachtmusik

    Mozart: Piano Concerto in G (K. 453)

    Beethoven: Moonlight Sonata

    Beethoven: Symphony No. 5

    Mozart: The Marriage of Figaro

    Mozart: Requiem

    Module VI - Romantic

    7/14

    Prelude 5
    39: Musical Reading

    40: Marketing Music

    41: Fire and Fury

    42: Musical Diaries

    43: Personal Soundtracks

    44: Sounding Literature

    45: Absolutely Classic

    46: Multimedia Hits

    47: Total Art

    48: Embracing Death

    49: Poetry in Motion
    50: Exotic Allure

    51: Mythical Impressions

    52: Nationalism Crosses the Ocean

    53: Jubilees and Jubilation

    54: A Good Beat

    Listening Journal

    Module Listening & Era Quiz

    Group Project

    Schubert: Erlkönig
    Schumann: In the Lovely Month of May

    Foster: Jeanie with the Light Brown Hair

    Chopin: "Revolutionary" Etude
    Hensel:
    The Year

    Berlioz: Symphony fantastique

    Mendelssohn: Midsummer Night's Dream

    Grieg: Peer Gynt

    Brahms: Symphony No.3 in F Major

    Verdi: Rigoletto

    Wagner: Die Walkure

    Brahms: A German Requiem

    Tchaikovsky: The Nutcracker

    Puccini: Madame Butterfly

    Debussy: Prelude to "The Afternoon of a Faun"

    Dvorak: American Quartet

    Spiritual: Swing Low, Sweet Chariot

    Joplin: Maple Leaf Rag

    Module VII-

    Modern

    7/14

    Prelude 6

    55: Anything Goes

    56: Calculated Shock

    57: Still Sacred

    58: War Is Hell

    59: American Intersections

    60: Modern America
    61: Modern Experiments

    62: Sounds American

    63: Also American
    64: Classic Rethinking

    Listening Journal

    Module Listening & Era Quiz

    Schoenberg: Pierrot lunaire

    Stravinsky: The Rite of Spring

    Boulanger: Psalm 24

    Berg: Wozzeck

    Holiday: Billie’s Blues

    Strayhorn: Take the A Train

    Still, Suite for Violin and Piano

    Gershwin: Rhapsody in Blue

    Ives: Country Band March

    Copland: Appalachian Spring

    Revueltas: La noche de los Mayas

     Bartók: Concerto for Orchestra

    Module VIII-

    Modern /

    Postmodern

    7/14

    Prelude 7
    65: New Sound Palettes

    66: Staged Sentiment

    67: Less Is More

    68: Rolling Beethoven Over

    69: Returning with Interest

    70: Neo-Romantic Evocations

    71: Underscoring Meaning

    72: Icons in Sound
    73: Reality Shows

    74: Syncretism and Universalism

    Listening Journal

    Module Listening & Era Quiz

    Concert Reaction #2

    Cage: Sonatas and Interludes

    Crumb: Caballito negro

    Bernstein: West Side Story

    Reich: Electric Counterpoint, III

    Versions of Roll Over Beethoven

    Glass: Symphony No. 4

    Higdon: blue cathedral
    Williams: Imperial March
    Tavener: A Hymn to the Mother of God

    Adams: Doctor Atomic

    1/5

    Final Exam

Additional Information

After a student has enrolled and the class has started, comments and questions about assignments, due dates, etc. relating to the course should be directed to the instructor through the "Student-Instructor Communication" link within the online course - this will be used instead of direct student to instructor email. No other communication methods will be accepted.

Syllabus Created on:

08/22/23 10:27 AM

Last Edited on:

08/22/23 10:27 AM