Piano Class II Syllabus for 2011-2012
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Instructor Information

Office Location

Music Building 303

Office Hours

MW 10:30-12:00

Course Information

Recording Policy

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Course

MUSI-1182-002 Piano Class II

Prerequisites

Course Description

For students with a limited keyboard background. Includes scales, chord progressions, technical studies, sightreading drill, short selections from solo literature.

Student Resources Student Resources Website

Department Expectations

The National Association of Schools of Music (NASM) and the Performing Arts Medicine Association (PAMA) have developed a comprehensive overview of neuromusculoskeletal, vocal and hearing health issues for postsecondary schools and departments of music.  Information of a medical nature is provided by PAMA; information regarding contextual issues in music programs, by NASM. The following links address the risk of noise-induced hearing loss, neuromusculoskeletal and vocal injury—all of which are widespread and serious public health issues for musicians and others.

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NASM-PAMA Advisories on Neuromusculoskeletal \ and Vocal Health

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NASM-PAMA Advisories on Hearing Health :

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Student information sheets:

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Occupational License Disclaimer

Hours

(1 sem hr; 3 studio)

Class Type

On Campus Course

Syllabus Information

Textbooks

Alfred's Group Piano for Adults, Book 1, 2nd edition, by Lancaster/Renfrow

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Modes and Moods, by Robert D. Vandall

Supplies

3 ring binder, for handouts

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pencil

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textbooks

Student Performance

\ After studying the material presented in this course of study, the student will be able to do the following as evaluated by the faculty in the department/program:

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\ 1.         Perform all major and minor scales and arpeggios, each hand alone, two octaves ascending and descending

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\ 2.         Perform the chromatic scale, two octaves, hands together, in contrary motion

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\ 3.         Perform at least two solo pieces of the level of difficulty of Unit 26 in the text

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\ 4.         Sightread a rudimentary 8 measure piece of piano music

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\ 5.         Harmonize a melody with seventh chords.

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\ 6.         Demonstrate the 5 types of seventh chords on a given pitch

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\ 7.         Accompany a melody with a basic two-hand harmonization

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\ 8.         Improvise a melody in the right hand, and perform with left hand providing the harmony.

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\ 8.         Develop a further understanding of basic music terminology

Students Rights and Responsibilities

Student Rights and Responsibilities

Log in using the AC Connect Portal

In order to receive your AC Connect Email, you must log in through AC Connect at https://acconnect.actx.edu .

If you are an active staff or faculty member according to Human Resources, use "Exchange". All other students, use "AC Connect (Google) Email".

Expected Student Behavior

The student is expected to practice a minimum of 30 minutes between each class session, or a total of at least 90 minutes per week.

Grading Criteria

\ Based on performance on four playing exams given on material covered in Units 14 through 26 in the textbook, and a written exam at the end of the semester. Each exam will be worth 100 points for a total of 500. Final grade will be based on the following scale:

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\ A = 90-100%

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\ B = 80-89%

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\ C = 70-79%

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\ D = 60-69%

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\ F = Below 60%

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\ If a student misses an exam for an excused reason, it is the responsibility of the student to schedule a makeup exam with the instructor.  Makeup exams must be completed within one week of the original date of the exam.

Attendance

Regular attendance is necessary for satisfactory achievement. Therefore, it is the responsibility of the student to attend class.

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Calendar

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\ PIANO CLASS II:  SPRING SEMESTER                                                Rewritten January 2012

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\ LESSON PLANS                                                       Alfred’s Group Piano for Adults, 2nd Edition

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\ ABOUT PRACTICE:

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\ Your improvement in playing the piano is directly linked to the amount of CONCENTRATED effort you put into your practice on a daily basis.  Every person is different; however, you should plan to practice at least 30 to 60 minutes between each class period.  The more you improve, the more you will enjoy, and the more you will want to practice!

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\ COURSE SYLLABUS AND PROJECTED SCHEDULE:

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\ WEEK 1

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\ Wednesday, 1/18/12              ASSIGNMENT FOR Friday, 1/20/12

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\ 1.         P. 73    Review major/minor pentachord exercise with minor/major triads at end, all keys, chromatically up from C to C

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\ 2.         P. 124-126 Review scales/arpeggios of C,G,D,A,E Major.  On p. 142, look at F & B (new)

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\ 3.         p. 177 Dona Nobis Pacem

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\ 4.         p. 181 Complete the Review Worksheet (1st page only)

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\ 5.         Begin study and practice of Unit 14.

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\ Friday, 1/20/12           ASSIGNMENT:

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\ 1.                     P. 73    Review major/minor pentachord exercise with minor/major triads at end, all keys, chromatically up from C to C

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\ 2.         P. 142 Scales/arpeggios of  F & B Major; p. 143  Gb and Db Major

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\ 3.         p. 184  Study the 3 types of minor

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\ 4.         P. 181  Little Fantasy Study

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\ 5.         P. 194-195       Ensemble Repertoire.  Learn at least 1 part.

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\ 6.         p. 185  Complete the worksheet by writing in each scale

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\ WEEK 2

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\ Monday, 1/23/12        ASSIGNMENT:              

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\ 1.                     P. 73    Review major/minor pentachord exercise with minor/major triads at end, all keys, chromatically up from C to C

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\ 2.         P. 142  B & F Major; p. 143 Gb and Db Major

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\ 4.         P. 191  Little Fantasy Study

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\ 5.         P. 194-195       Ensemble Repertoire.  Learn at least 1 part.

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\ 6.         p. 196 Triads of the Key

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\ 7.         p. 197  Technique

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\ 8.         p. 199  A harmonic minor scale and arpeggio, hands together

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\ 9.         Modes and Moods:  Reveler's Dance, right hand alone, entire piece

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\ Wednesday, 1/25/12       ASSIGNMENT:

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\ 1.                     P. 73    Review major/minor pentachord exercise with minor/major triads at end, all keys, chromatically up from C to C

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\ 2.         P. 199-200 Harmonic minor scales/arpeggios of A, E, and D.

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\ 3.         Bewildered (from handout)

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\ 4.         p. 203  Harmonize

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\ 5.         p. 206  Improvise

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\ 6.         Modes and Moods:  Reveler's Dance.  Each hand alone.

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\ Friday, 1/27/12  ASSIGNMENT:

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\ 1.         p. 199-201       Harmonic minor scales/arpeggios of A, E, D, G & C

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\ 3.                                 Bewildered (handout)

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\ 4.         p. 203              Harmonization

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\ 5.         P. 206              Improvisation

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\ 6.         Modes and Moods:  Reveler's Dance, hands alone; begin hands together

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\ WEEK 3                                                              

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\ Monday, 1/30/12        ASSIGNMENT:

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\ 1.         P. 199-201       Harmonic minor scales/arpeggios of A, E, D, G, & C

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\ 2.                                 Bewildered (from handout)

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\ 3.         p. 210              Chord progression in minor

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\ 4.         P. 211              Etude

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\ 5.         Modes and Moods:  Reveler's Dance, HANDS TOGETHER

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\ Wednesday, 2/1/12                ASSIGNMENT:

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\ 1.         P. 210              Chord Progressions in a, d, e, and a, with pedal

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\ 2.         P. 204-207       Minor scales A, E, D, G, and C

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\ 3.         P. 211              Etude

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\ 4.         P. 216              Harmonization of  #1 & #2

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\ 5.         Modes and Moods: Reveler=s Dance, Hands Together

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\ Friday, 2/3/12

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\ ASSIGNMENT:  PREPARE FOR EXAM NO. 1 ON MONDAY, FEBRUARY 13 AND FRIDAY, FEBRUARY 15, 2012 (at least 3 items must be completed on Monday, 2/13)

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\ EXAM #1

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\ 1.         P. 210              Chord progression in A, D, E & A minor, hands together     10 pts

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\ 2.         P. 199-201, 223 Minor scales/arpeggios of A, E, D, G, C, B & F, alone       20 pts

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\ 3.         P. 216-217       Harmonize your choice of 1, 2, 3, or 4                                   20 pts

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\ 4.         One repertoire piece:  Etude (p. 211) or Bewildered (handout)                     20 pts

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\ 5.         p. 229              Improvise # 1 in F minor                                                         10 pts

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\ 6.                                 Reveler=s Dance                                                                     20 pts

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\ WEEK 4                                                              

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\ Monday, 2/6/12

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\ Practice for exam No. 1; take any or all parts early if ready.

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\ Wednesday, 2/8/12 (TMEA)

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\ Practice for exam No. 1 in Piano Lab; Dr. Rauscher is out of town.  Roll will be taken.

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\ Friday, 2/10/12 (TMEA)

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\ Practice for exam No. 1 on your own; piano lab will be open, but roll will not be taken.

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\ WEEK 5                                                              

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\ Monday 2/13/12

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\ EXAM NO. 1  (at least 3 items must be completed by the end of today’s class)

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\ Wednesday, 2/15/12

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\ EXAM NO. 1  (entire exam must be completed today)

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\ ASSIGNMENT: Look at Unit 18

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\ Friday, 2/17/12                       ASSIGNMENT:

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\ 1.         P. 230  Triads of the Key

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\ 2.         P. 231-232  Bb, Eb, and Ab Major scales/arpeggios

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\ 3.         P. 233 Technique

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\ 4.         Modes and Moods:  Lydian Nocturne, each hand alone to ms. 10

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\ WEEK 6                                                              

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\ Monday, 2/20/12  ASSIGNMENT:

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\ 1.         p. 230  Triads of the Key

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\ 2.         p. 231-232  Bb, Eb, and Ab Major scales/arpeggios

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\ 3.         p. 233  Technique

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\ 4.         p. 236  Harmonize # 1 and #2

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\ 5.         p. 238  Dance

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\ 6.         Lydian Nocturne, L. H. add pedal.  Add to ms. 18, hands alone 

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\ Wednesday, 2/22/12

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\ ASSIGNMENT:

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\ 1.         p. 230  Triads of the Key

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\ 2.         p. 231-232  Bb, Eb, and Ab Major scales/arpeggios

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\ 3.         p. 233  Technique

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\ 4.         p. 237  Harmonize #3 and #4

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\ 5.         p. 238  Dance

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\ 6.         Lydian Nocturne, hands alone to end

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\ Friday, 2/24/12           ASSIGNMENT:

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\ 1.         p. 231-232  Bb, Eb, and Ab Major scales/arpeggios

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\ 2.         p. 241-242       ii chord, and progressions

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\ 3.         p. 249 #4 Harmonize

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\ 4.         p. 250 2 handed accompaniment

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\ 5.         Lydian Nocturne, hands together, entire piece

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\ WEEK 7                                                              

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\ Monday, 2/27/12                    ASSIGNMENT:

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\ 1.         p. 231-232  Bb, Eb, and Ab Major scales/arpeggios

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\ 2.         p. 253, Chord Progression in middle of page, in C, G and F

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\ 3.         p. 258  Harmonize Simple Gifts

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\ 4.         p. 250, 251  2 handed accompaniments 1, 2, & 3

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\ 5.         Lydian Nocturne, hands together, entire piece

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\ Wednesday, 2/29/12              ASSIGNMENT:

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\ Prepare for Exam No. 2 on Monday, March 5, and Wednesday, March 7:

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\ EXAM #2

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\ 1.         p. 231-232  Bb, Eb, and Ab Major scales/arpeggios               20 pts

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\ 2.         p. 253, Chord Progression in middle of page, in C, G and F20 pts

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\ 3.         P. 250-251 Harmonize 1, 2, or 3, your choice                        20 pts

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\ 4.         Lydian Nocturne                                                                     25 pts

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\ 5.         Sightreading                                                                            15 pts

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\ Friday, 3/2/12

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\ Practice time and early test takers

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\ ASSIGNMENT:

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\ Prepare for Exam No. 2 on Monday, March 5, and Wednesday, March 7, 2012

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\ WEEK 8                                            

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\ Monday, 3/5/12

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\ EXAM NO. 2 (at least 3 items must be completed by the end of class today)

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\ Wednesday, 3/7/12

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\ EXAM NO. 2 (remaining items must be completed by the end of class today)

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\ Friday 3/9/12NO CLASS

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\ ASSIGNMENT: Look at Unit 22 over Spring Break.

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\ SPRING BREAK:  MARCH 12-16, 2012

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\ WEEK 9                                                              

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\ Monday (3/19/12)                  ASSIGNMENT:

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\ 1.         P. 316 Chord progression in all keys, up chromatically

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\ 2.         p. 262, top of page:  Chord progression in C major only

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\ 3.         p. 263  Read the Etude, hands alone

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\ 4.         p. 266  Practice the chords for Reuben, Rachel

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\ 5.         Choose final exam/recital piece (memorized) for end of semester.  Should be chosen by Friday, March 23.   Possibilities include:

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\ p. 325-346       Any piece in the Supplementary Solo Repertoire section

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\ p. 290              Full Moon Rising, by Dennis Alexander

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\ p. 298              Chromatic Rag, by Willard A. Palmer

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\ p. 317              Eccosaise, by Beethoven

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\ Modes and Moods: Any piece, including ones already studied in class.

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\ You may also choose a piece not in the text; it must be approved by Dr. Rauscher. 

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\ Wednesday (3/21/12)             ASSIGNMENT:

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\ 1.         P. 316 Chord progression in all keys, up chromatically

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\ 2.         p. 269  Practice improvising on #1

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\ 3.         p. 271  Learn Primo Part of Dance, hands together

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\ 4.         Choose final exam/recital piece (memorized) for end of semester.  Should be chosen by Friday

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\ Friday (3/23/12)               ASSIGNMENT:

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\ 1.         Review all scales and arpeggios learned thus far:

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\ p. 124-126 (C,G,D,A,E Major), p. 142-143 (F, B, Gb, and Db Major), p. 199-201 (a,e,d,g,c minor), p. 223 (B and F minor), and p. 231-232 (Bb, Eb, and Ab Major)

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\ 2.         p. 316 Chord progression in all keys, up chromatically

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\ 3.         Work on final exam solo piece that you have chosen.

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\ WEEK 10                                                            

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\ Monday, 3/26/12                    ASSIGNMENT:

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\ 1.         p. 273-274:  F#, C#, and G# minor scales

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\ 2.         p. 276-277  Theme from the Moonlight Sonata

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\ 3.         P. 316 Chord progression in all keys, up chromatically

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\ 4.         p. 281-282  Complete the worksheet, to be checked on Wednesday.

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\ 5.         Practice final exam/recital piece. Must be memorized by April 23

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\ Wednesday 3/28/12               ASSIGNMENT:

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\ PREPARE FOR QUIZ NO. 3 ON Monday, April 2, and Wednesday, April 4, 2012

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\ 1.         P. 273-275       Harmonic minor scales and arpeggios on black keys              20 pts

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\ 2.         P. 276 Theme from Moonlight Sonata OR

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\ P. 346  Prelude No. 1 by Catherine Rollin (student’s choice             25 pts

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\ 3.         P. 280  Harmonize and transpose No. 1 to given key                                     20 pts

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\ 4.         p. 316  Chord progression in all keys, up chromatically                                 20 pts

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\ 5.         Sightreading                                                                                                    15 pts

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\ IN ADDITION TO PREPARING FOR EXAM NO. 3:

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\             Practice final exam/recital piece. Must be memorized by April 23

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\ Friday 3/30/12

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\ Practice Day:  Prepare for Exam #3 and practice final exam piece

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\ WEEK 11

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\ Monday, 4/2/12

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\ EXAM #3 (at least 3 items must be completed by the end of class today)

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\ Wednesday, 4/4/12

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\ EXAM #3  (remaining items must be completed by the end of class today)

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\ Friday, 4/6/12

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\ NO CLASS:  EASTER BREAK

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\ WEEK 12                                                            

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\ Monday, 4/9/12                   ASSIGNMENT:

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\ 1.         p. 287  Playing 5 types of seventh chords

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\ 2.         p. 289  Learn to play No. 1 perfectly

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\ 3.         p. 290  Full Moon Rising

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\ 6.         Practice final exam/recital piece. Must be memorized by April 23.

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\ Wednesday, 4/11/12              ASSIGNMENT:

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\ 1.         p. 287 Playing 5 types of seventh chords

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\ 2.         p. 288 Study and play the inversions of seventh chords

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\ 3.         p. 290-291 Full Moon Rising

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\ 4.         p. 292  Harmonize No. 1

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\ 5.         Practice final exam/recital piece. Must be memorized by April 23.

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\ Friday, 4/13/12:  NO CLASS

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\ Week 13                                                              

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\ MONDAY, 4/16/12               ASSIGNMENT:

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\ 1.         p. 287  Playing 5 types of seventh chords

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\ 2.         p. 288  Inversion of seventh chords

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\ 3.         p. 290-291       Full Moon Rising

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\ 4.         p. 292  Harmonize No. 2

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\ 5.         p. 295  Improvise No. 1 several times

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\ 6.         Practice final exam/recital piece. Must be memorized by April 23.

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\ Wednesday, 4/18/12              ASSIGNMENT:

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Additional Information

No additional information available

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