CUB 007
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ARTS-2323-001 Life Drawing I
ARTS 1317
Basic study of the human form.
Student Resources Student Resources Website
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(3 sem hrs; 2 lec, 4 lab)
On Campus Course
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\\ REQUIRED TEXT:
\\ Valerie L. Winslow, Classic Human Anatomy: The Artist’s Guide to Form, Function and Movement (Watson-Guptil, NY, NY: 2009)
\\ ISBN: 0-8230-2415-6
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SUPPLIES: \
ARTS 2323 Life Drawing I \
Basic study of the human form \
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Exemplary Educational Objectives ACGM pg 234 \
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Specific Course Outcomes: \
Students will \
Supplies
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• Pad(s) of good quality drawing paper, 18” x 24” or larger (look for heavyweight paper with a good tooth) Look for serrated top edges so the drawing can be easily removed from pad. YoStudent Performance
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In order to receive your AC Connect Email, you must log in through AC Connect at https://acconnect.actx.edu .
If you are an active staff or faculty member according to Human Resources, use "Exchange". All other students, use "AC Connect (Google) Email".
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\\ CRITIQUES:
\\ Critique allows all class members to evaluate the effectiveness of each drawing. Respect for each other is of the utmost importance. This part of our classroom activities is crucial to the creative and technical learning process, giving you an opportunity to learn from your peers. Your participation (or lack thereof) in critique will impact your grade.
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\\ BEHAVIOR:The key word regarding class behavior is RESPECT. Every person in the room deserves and will receive the respect of others. Disruptions and/or any behavior that the instructor considers inappropriate will not be tolerated and will result in dismissal from the class. Every student is expected to be involved and engaged with other students and the instructor. For this reason, NO HEADPHONES OR PERSONAL ELECTRONIC DEVICES ARE ALLOWED.
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\\ POLICY CONCERNING MODELS:
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\\ GRADING POLICY:
\\ Student grades will be based on four grades, weighted as follows:
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\\ LATE and MAKE-UP WORK: Because in-class work is almost always a response to a specific prompt and model, it can rarely be “made up”. This is the reason for the absence policy.
\\ TARDINESS should be avoided. We are working with an undraped model, and late arrival is disruptive. After the class begins, the door will be locked.
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\\ GRADING SCALE:
\\ Because art is more subjective than many other fields, it is important to understand some of the broad areas of assessment in this class. Portfolios will be evaluated using a four-point scale, which corresponds to letter grades. Four major areas will be assessed. (I will also utilize +/- (or .5 points)
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\\ Technique/Use of materials/Composition
\\ A/4: Exceptional technique/use of materials/composition
\\ B/3: Effective technique/use of materials/composition
\\ C/2: Acceptable technique/use of materials/composition
\\ D/1: Poor technique/use of materials/composition
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\\ Concepts/Ideas/Exploration
\\ A/4: Ideas are highly inventive, innovative and effective
\\ B/3: Interesting ideas and concepts
\\ C/2: Ideas are standard but acceptable
\\ D/1: Ideas are stereotypical with little effort at discovering or expressing personal visual language
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\\ Work ethic/ Presentation/Craft (including presentation in portfolio)
\\ A/4: Exceptional work ethic and professional presentation
\\ B/3: Energetic working method and effective presentation
\\ C/2: Minimal energy applied to work, lackluster presentation
\\ D/1: Lack of enthusiasm, careless presentation
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\\ As part of the portfolio reviews, I will also look at your writing:
\\ Reflection/Observation/Writing
\\ A/4: High level of insight and quality of writing
\\ B/3: Good level of insight and quality of writing
\\ C/2: Acceptable level of insight and quality of writing
\\ D/1: Low level of insight and quality of writing
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\\ This system corresponds to that of the GPA:
\\ A = EXCELLENT
\\ B = GOOD
\\ C = AVERAGE or ADEQUATE
\\ D = POOR
\\ F = FAIL
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\\ ATTENDANCE POLICY: Attendance is CRITICAL to your success in this course.Please note that Amarillo College allows only 2 absences for any reason, with the consequences of missing additional classes to be determined at the discretion of the instructor. Therefore:
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\\ In addition to the requirement to be in class for demonstration, lecture and work time, your presence is a source of insight and learning for all class members. The impact of your full participation cannot be overestimated.
Document formatting lost - see me for a print copy.
LIFE DRAWING (Drawing III)
USE pencils/pens/sharpie in sketchbook- not charcoal
Week Tuesday Thursday
1
Aug. 27
Aug. 29 Syllabus
Introductory PP:
Major figurative artists and peer examples
Homework: “I know what I like”
See handout
Class Discussion:
Your artist examples -
take notes in sketchbook: who interests you/why, techniques to try, etc.
Sketchbook overview
Introduction to Gesture Drawing
Read: pp 244-251 (proportion of the figure and gesture)
Homework/Sketchbook: Copy 5 of the gesture drawings from the packet
2
Sept. 3
Sept. 5 Mark-making
Homework/Sketchbook:
Read: pp 26- 39 (midline), Copy diagrams: p 145, 148 (structure of torso, showing the midline and shoulder/pelvic axes - use technique in class) PROMPT/MODEL:
Homework/Sketchbook:
Read:
Copy diagrams: 149 (2), 150, 151 (2)
(structure of torso, showing the midline and shoulder/pelvic axes, abbreviated forms for ribcage/pelvis - use technique in class)
3
Sept. 10
Sept. 12 PROMPT/MODEL:
Homework/Sketchbook:
Read: Chapter 3 and
Sketch the spinal diagrams on:
p. 113 (lower right) and all on p. 114 (flexion and extension of spine)
Sketch the ribcage and thoracic arch diagrams on the lower part of p 115 (notice the REAL structure of the ribcage)
PROMPT/MODEL:
Homework/Sketchbook:
Read: Chapter 3
Visit “posemaniacs.com” and complete 5 gesture drawings on the 1-minute timer, and 5 on the 30-second timer
4
Sept. 17
Sept. 19 PROMPT/MODEL:
Homework/Sketchbook:
Referring to the handout and to pp 246 - 248, complete 10 gesture drawings in your sketchbook. Your sources can come from observations anywhere: on campus, at the coffee shop, or even television.
PROMPT/MODEL:
Homework/Sketchbook:
Creative Eavesdropping: This week, record “found phrases” in your sketchbook. Perhaps you overhear a snippet of conversation, or a bit of a song…or maybe a headline strikes you as being evocative… Record these words/phrases/texts in your sketchbook.
Look at artists who use text in their work – eg.
Bruce Nauman, Barbara Kruger, Jenny Holzer, Tracy Emin, Jake Walker, etc.
See http://news.bbc.co.uk/2/hi
/entertainment/arts_and_culture/8305617.stm
5
Sept. 24
Sept. 26 PROMPT/MODEL:
Incorporate one or more of your words/phrases in your work today.
Homework/Sketchbook:
Also, for one of your “found phrases”, create a collage in your sketchbook.
PROMPT/MODEL:
Homework/Sketchbook:
Read: pp 132 – 135 (the “six-pack”, the obliques and the inguinal ligament)
Copy the six figures (with highlighted elements) on p 135
6
Oct. 1
Oct. 3 PROMPT/MODEL:
Homework/Sketchbook:
Research an artist. If you do not know of any artists whose work interests you, begin to look at sources. Go to the library, or search online. (I am deliberately leaving instructions loose).
In your sketchbook, “copy” at least two compositions by your chosen artist. Also include written information about them, their subject matter, and their ideas, as well as your responses to their work.
PROMPT/MODEL:
Homework/Sketchbook:
Research an artist, cont.
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Oct. 8
Oct. 10 PROMPT/MODEL:
Homework/Sketchbook:
Read pp. 61- 67 (the muscular structure, types of muscle, and the muscles of the arm)
Copy the drawing on p. 61 (full figure) PROMPT/MODEL:
Homework/Sketchbook:
Re-read pp. 122-125 (the muscles of the torso)
Copy the muscle studies on pp. 122 and 123 (torsos), and the drawing on 144 (study of back with arms up)
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Oct. 15
Oct. 17 PROMPT/MODEL:
Homework/Sketchbook:
Copy all drawings/ diagrams on p. 178 (the structure and surface forms of the arms – use technique in class) PROMPT/MODEL:
Homework/Sketchbook:
Read: pp. 222-225
Copy all diagrams on p. 222 (the structure and surface forms of the arms – use technique in class)
9
Oct. 22
Oct. 24 MIDTERM PORTFOLIO REVIEW
Individual meetings; 15 minutes each
BRING YOUR QUESTIONAIRE RESPONSES MIDTERM PORTFOLIO REVIEW
Individual meetings; 15 minutes each
BRING YOUR QUESTIONAIRE RESPONSES
10
Oct. 29
Oct. 31
PROMPT/MODEL:
Homework/Sketchbook:
Read: pp. 183-199 (the hands)
Copy the drawing on p 188 (the hand in 8 poses)
Prepare at least 2 sheets of paper with collage elements (to be discussed in class) PROMPT/MODEL:
Homework/Sketchbook:
Read: pp. 232, 238-241 (the feet)
Copy the drawing on p 233 (left side: the foot in 8 poses)
11
Nov. 5
Nov. 7 PROMPT/MODEL:
Homework/Sketchbook:
Read: pp. 69-107 (the head, face and neck)
Copy studies of the central axis of the head, p. 96. (lower left: central axis of the head, multiple views) PROMPT/MODEL:
Homework/Sketchbook:
Copy planar studies (2), p. 97.
12
Nov. 12
Nov. 14 PROMPT/MODEL:
Homework/Sketchbook:
Draw a self-portrait in a mirror. Accomplish as much as possible in 30 minutes. PROMPT/MODEL:
Homework/Sketchbook:
Try to feel your internal anatomy and interior movement in your own body. Depict that in any way you wish.
13
Nov. 19
Nov. 21 PROMPT/MODEL:
Homework/Sketchbook:
Copy the “Skeletal Portrait” on p. 69. PROMPT/MODEL:
Homework/Sketchbook:
Draw or collage an image based on the most recent dream you remember.
14
Nov. 26
Nov. 28 PROMPT/MODEL:
Homework/Sketchbook:
For another one of your “found phrases”, create a second collage in your sketchbook. Thanksgiving; no class
15
Dec. 3
Dec. 5 PROMPT/MODEL:
Homework: Photograph your work with a digital camera PROMPT/MODEL:
16
Dec. 10
Dec. 12 Finals Week
CD portfolios due today by noon
Some specific works will be given grades, and should be included in your Final Portfolio as well as your Showcase images:
1. your most realistic full-figure image
2. an image that focuses on the full value scale and realistic lighting
3. a study featuring hands
4. a portrait
5. an image in color: (ex. “three colors”, pastel, colored inks or watercolor, colored pencil)
6. a work that features expressive mark-making
7. a work on prepared paper
8. a master copy
9. a selection of gesture drawings
10. (I will also be checking images in your sketchbook)
ART SHOWCASE: Every semester, advanced level art classes present their work before a panel of judges at the “Art Showcase”. During the showcase, you will present an art statement and a small selection of y
11/30/-1 12:00 AM
11/30/-1 12:00 AM