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ARTS-2324-001 Life Drawing II
ARTS 2323
Basic study of the human form.
Student Resources Student Resources Website
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(3 sem hrs; 2 lec, 4 lab)
On Campus Course
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\\ REQUIRED TEXT:
\\ Valerie L. Winslow, Classic Human Anatomy: The Artist’s Guide to Form, Function and Movement (Watson-Guptil, NY, NY: 2009)
\\ ISBN: 0-8230-2415-6
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SUPPLIES: \
ARTS 2324 Life Drawing I \
Basic study of the human form \
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Exemplary Educational Objectives ACGM pg 234 \
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Specific Course Outcomes: \
Students will \
Supplies
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• Pad(s) of good quality drawing paper, 18” x 24” or larger (look for heavyweight paper with a good tooth) Look for serrated top edges so the drawing can be easily removed from pad. YoStudent Performance
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In order to receive your AC Connect Email, you must log in through AC Connect at https://acconnect.actx.edu .
If you are an active staff or faculty member according to Human Resources, use "Exchange". All other students, use "AC Connect (Google) Email".
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\\ BEHAVIOR:The key word regarding class behavior is RESPECT. Every person in the room deserves and will receive the respect of others. Disruptions and/or any behavior that the instructor considers inappropriate will not be tolerated and will result in dismissal from the class. Every student is expected to be involved and engaged with other students and the instructor. For this reason, NO HEADPHONES OR PERSONAL ELECTRONIC DEVICES ARE ALLOWED.
\\ POLICY CONCERNING MODELS:
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\\ GRADING POLICY:
\\ Student grades will be based on four grades, weighted as follows:
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\\ LATE and MAKE-UP WORK: Because in-class work is almost always a response to a specific prompt and model, it can rarely be “made up”. This is the reason for the absence policy.
\\ TARDINESS should be avoided. We are working with an undraped model, and late arrival is disruptive. After the class begins, the door will be locked.
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\\ GRADING SCALE:
\\ Because art is more subjective than many other fields, it is important to understand some of the broad areas of assessment in this class. Portfolios will be evaluated using a four-point scale, which corresponds to letter grades. Four major areas will be assessed. (I will also utilize +/- (or .5 points)
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\\ Technique/Use of materials/Composition
\\ A/4: Exceptional technique/use of materials/composition
\\ B/3: Effective technique/use of materials/composition
\\ C/2: Acceptable technique/use of materials/composition
\\ D/1: Poor technique/use of materials/composition
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\\ Concepts/Ideas/Exploration
\\ A/4: Ideas are highly inventive, innovative and effective
\\ B/3: Interesting ideas and concepts
\\ C/2: Ideas are standard but acceptable
\\ D/1: Ideas are stereotypical with little effort at discovering or expressing personal visual language
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\\ Work ethic/ Presentation/Craft (including presentation in portfolio)
\\ A/4: Exceptional work ethic and professional presentation
\\ B/3: Energetic working method and effective presentation
\\ C/2: Minimal energy applied to work, lackluster presentation
\\ D/1: Lack of enthusiasm, careless presentation
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\\ As part of the portfolio reviews, I will also look at your writing:
\\ Reflection/Observation/Writing
\\ A/4: High level of insight and quality of writing
\\ B/3: Good level of insight and quality of writing
\\ C/2: Acceptable level of insight and quality of writing
\\ D/1: Low level of insight and quality of writing
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\\ This system corresponds to that of the GPA:
\\ A = EXCELLENT
\\ B = GOOD
\\ C = AVERAGE or ADEQUATE
\\ D = POOR
\\ F = FAIL
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\\ ATTENDANCE POLICY: Attendance is CRITICAL to your success in this course.Please note that Amarillo College allows only 2 absences for any reason, with the consequences of missing additional classes to be determined at the discretion of the instructor. Therefore:
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\\ In addition to the requirement to be in class for demonstration, lecture and work time, your presence is a source of insight and learning for all class members. The impact of your full participation cannot be overestimated.
Note: document formatting lost - see me for a print copy.
LIFE DRAWING 2 (Drawing IV)
Week Tuesday Thursday
1
Aug. 27
Aug. 29 Syllabus, introduction
Homework: “I know what I like”
See handout
Class Discussion
Introduction to Gesture Drawing
Homework/Sketchbook:
15 minutes with “Posemaniacs”
2
Sept. 3
Sept. 5 PROMPT/MODEL:
Homework/Sketchbook:
Read:
Proportion work:
PROMPT/MODEL:
Homework/Sketchbook:
Read:
Look at the art of Sri Whipple (particularly The Clash of the Titans)
3
Sept. 10
Sept. 12 PROMPT/MODEL:
Homework/Sketchbook:
complete 10 gesture drawings in your sketchbook. Your sources can come from observations anywhere: on campus, at the coffee shop, or even on television. PROMPT/MODEL:
Homework/Sketchbook:
Creative Eavesdropping: This week, record “found phrases” in your sketchbook. Perhaps you overhear a snippet of conversation, or a bit of a song…or maybe a headline strikes you as being evocative…
4
Sept. 17
Sept. 19 PROMPT/MODEL:
(add text from homework)
Homework/Sketchbook:
Read: Chapter 3
Take one of your previous semester’s works and re-draw with eye to creating more correct proportions PROMPT/MODEL:
Homework/Sketchbook:
Read: Chapter 3 and
Spine: Copy a master work that focuses on the spine of the figure
5
Sept. 24
Sept. 26 PROMPT/MODEL:
Homework/Sketchbook:
For one of your “found phrases”, create a collage in your sketchbook. PROMPT/MODEL:
Homework/Sketchbook:
On a piece of Stonehenge paper (available in the bookstore), create your own version of Leonardo da Vinci’s Vitruvian Man. Due in 1 week
6
Oct. 1
Oct. 3 PROMPT/MODEL:
Homework/Sketchbook:
Research an artist. If you do not know of any artists whose work interests you, begin to look at sources. Go to the library, or search online. (I am deliberately leaving instructions loose).
In your sketchbook, “copy” at least two compositions by your chosen artist. Also include written information about them, their subject matter, and their ideas, as well as your responses to their work.
PROMPT/MODEL:
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Oct. 8
Oct. 10
PROMPT/MODEL:
Homework/Sketchbook:
Read pp. 61- 67
Copy the drawing on p. 61 PROMPT/MODEL:
Homework/Sketchbook:
Re-read pp. 122-125
Copy the muscle studies on pp. 122 and 123, and the drawing on 144
8
Oct. 15
Oct. 17 PROMPT/MODEL:
Homework/Sketchbook:
Copy all diagrams on p. 178 PROMPT/MODEL:
Homework/Sketchbook:
Read: pp. 222-225
Copy all diagrams on p. 222
9
Oct. 22
Oct. 24 Midterm reviews
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Oct. 29
Oct. 31
PROMPT/MODEL:
Homework/Sketchbook:
Read: pp. 183-199
Copy the drawing on p 188
Prepare at least 2 sheets of paper with collage elements (to be discussed in class) PROMPT/MODEL:
Homework/Sketchbook:
Read: pp. 232, 238-241
Copy the drawing on p 233 (left side)
11
Nov. 5
Nov. 7 PORTFOLIO REVIEW
Homework/Sketchbook:
Read: pp. 69-107
Copy studies of the central axis of the head, p. 96. (lower left) PORTFOLIO REVIEW
Homework/Sketchbook:
Read: pp. 69-107
Copy planar studies, p. 97.
12
Nov. 12
Nov. 14 PROMPT/MODEL:
Homework/Sketchbook:
Draw a self-portrait in a mirror. Accomplish as much as possible in 30 minutes. PROMPT/MODEL:
Homework/Sketchbook: Draw yourself 10 years from now. Then draw yourself 25 years from now. This need not be a “literal” self-portrait.
13
Nov. 19
Nov. 21 PROMPT/MODEL:
Homework/Sketchbook:
Copy the “Skeletal Portrait” on p. 69. PROMPT/MODEL:
Homework/Sketchbook:
Draw or collage an image based on the most recent dream you remember.
14
Nov. 26
Nov. 28 PROMPT/MODEL:
Homework/Sketchbook:
Try to feel your internal anatomy and interior movement in your own body. Depict that in any way you wish. Thankssgiving; no class
15
Dec. 3
Dec. 5 PROMPT/MODEL:
Homework: Photograph your work with a digital camera PROMPT/MODEL:
16
Dec. 10 Finals Week
CD portfolios due today by noon
Some specific works will be given grades, and should be included in your Final Portfolio as well as your Showcase images:
1. your most realistic full-figure image
2. an image that focuses on the full value scale and realistic lighting
3. a study featuring hands
4. a portrait
5. an image in color: (ex. “three colors”, pastel, colored inks or watercolor, colored pencil)
6. a work that features expressive mark-making
7. a work on prepared paper
8. a master copy
9. a selection of gesture drawings
10. (I will also be checking images in your sketchbook)
ART SHOWCASE: Every semester, advanced level art classes present their work before a panel of judges at the “Art Showcase”. During the showcase, you will present an art statement and a small selection of y
11/30/-1 12:00 AM
11/30/-1 12:00 AM