Drawing I Syllabus for 2014-2015
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Instructor Information

Office Location

CUB 007

Office Hours

Spring 2026 office hours: 

M/W 11:45-12 noon in CUB 001 or 007, 12noon - 12:45 Parcells 408
T/TH 3:15 - 4 CUB 010 or 007
by appointment, or send email for Zoom link

Course Information

Recording Policy

Disability Statement

Any student who, because of a disabling condition, may require some special arrangements in order to meet course requirements should contact disAbility Services (Student Service Center room 119, phone 371-5436) as soon as possible.

Statement for Mental Health and Advocacy & Resource Center:

As a student you may experience a range of issues that can cause barriers to learning, such as strained relationships, increased anxiety, alcohol/drug problems, feeling down, difficulty concentrating and/or lack of motivation. These mental health concerns or stressful events may lead to diminished academic performance or reduce a student's ability to participate in daily activities. Amarillo College offers services to assist you with addressing these and other concerns you may be experiencing. If you or someone you know are suffering from any of the aforementioned conditions, you can learn more about the broad range of confidential mental health services available on campus by calling the AC Counseling Center at 806-371-5900. The AC Counseling Center website is https://www.actx.edu/counseling/ . Also, if you are in need of social services (affordable housing, utilities, transportation, food, clothing, childcare, medical/dental/vision, legal), please call the AC Advocacy & Resource Center at 806-371-5439. The AC Advocacy & Resource Center website is https://www.actx.edu/arc

Amarillo College Tutoring for Success Policy:

Administrative Drop Policy

N/A

Student Withdrawal Procedures

N/A

Privacy Statement

The Amarillo College Privacy Policy is found at https://www.actx.edu/-amarillo-college-privacy-notice , and applies to all Amarillo College students.  If you have questions about this privacy statement or you believe that your personal information has been released without your consent, send email to humanresources@actx.edu .

Course

ARTS-1316-001 Drawing I

Prerequisites

Course Description

A foundation studio course exploring drawing with emphasis on descriptive, expressive and conceptual approaches. Students will learn to see and interpret a variety of subjects while using diverse materials and techniques. Course work will facilitate a dialogue in which students will engage in critical analysis and begin to develop their understanding of drawing as a discipline.

Student Resources Student Resources Website

Department Expectations

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Occupational License Disclaimer

Hours

(3 sem hrs; 2 lec, 4 lab)

Class Type

On Campus Course

Syllabus Information

Textbooks

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\ Required text:

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\ Bert Dodson, Keys to Drawing, (Cincinatti, Ohio: North Light Books) 1985

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\ ISBN-10: 0-89134-337-7

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\ ISBN-13: 978-0-8913

Supplies

SUPPLIES:                                         &nbs

Student Performance

ARTS 1316 Drawing I
A foundation studio course exploring drawing with emphasis on descriptive, expressive and conceptual approaches. Students will learn to see and interpret a variety of subjects while using diverse materials and techniques. Course work will facilitate a dialogue in which students will engage in critical analysis and begin to develop their understanding of drawing as a discipline.

Learning Outcomes (ACGM)
Upon successful completion of this course, students will:

1. Describe visual subjects through the use of accurate and sensitive observation.
2. Generate drawings which demonstrate descriptive, expressive, and conceptual approaches.
3. Utilize varied materials and techniques with informed aesthetic and conceptual strategies.
4. Demonstrate an appropriate level of professional practice, including safety, craft and presentation.
5. Analyze and critique drawings verbally and/or in writing.
6. Relate drawing to design, art history and contemporary artistic production.
Specific Course Outcomes:
1. Students will demonstrate effective communication, critical thinking, and teamwork skills.
2. Students will demonstrate an understanding of the relationship of the Visual Arts and Social Responsibility.
3. Students will gain familiarity with drawing terminology.
4. Students will work with a variety of drawing tools.
5. Students will be able to apply the Principles of Design to their drawings.
6. Students will apply a variety of techniques in drawing.
7. Students will solve visual problems and create dynamic compositions.
8. Students will utilize techniques emphasizing accurate, expressive, and conceptual approaches.
9. Students will discuss their work in verbal and/or written form.
10. Students will present work for grading in a professional manner, as directed by the instructor.
11. Students will participate meaningfully in critique.
12. Students will maintain a professional and respectful attitude.
13. Students will maintain classroom facilities and shared supplies.

Students Rights and Responsibilities

Student Rights and Responsibilities

Log in using the AC Connect Portal

In order to receive your AC Connect Email, you must log in through AC Connect at https://acconnect.actx.edu .

If you are an active staff or faculty member according to Human Resources, use "Exchange". All other students, use "AC Connect (Google) Email".

Expected Student Behavior

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\ CRITIQUES:

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\ Critique allows all class members to discuss design and conceptual issues and evaluate the effectiveness of each project. Respect for each other and each person's work is of the utmost importance. This part of our classroom activities is crucial to the creative and technical learning process, giving us an opportunity to learn from each other.

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\ CIVILITY:Disruptions and/or any behavior that the instructor considers inappropriate will not be tolerated and will result in dismissal from the class. Every student deserves and will receive the respect of others. Every student is expected to be involved and engaged with other students and the instructor. For this reason, NO HEADPHONES OR PERSONAL ELECTRONIC DEVICES ALLOWED. 

Grading Criteria

GRADING POLICY:

“Quick Draws”: 40%

Sustained Drawings: 50%  

Sketchbook, Homework Assignments and Participation, including Critique: 10%

GRADING SCALE:

Because art is more subjective than many other fields, it is important to understand some of the broad areas of the assessment of artworks. "Quick draws" and "Sustained drawings" will be evaluated according to three major areas, which will vary according to the subject matter. Each drawing will have a slightly different rubric depending on the subject matter - however, there will always be 3 areas of assessment. Each area will be ranked from 4 - 1 (4 = excellent, 3 = good, 2 = average, 1 = poor) for a maximum of 12 points. For example:

Composition/Technique

4 = A: Dynamic use of the elements and principles of design

3 = B: Effective use of the elements and principles of design

2 = C: Acceptable use of the elements and principles of design

1 = D: Ineffective use of the elements and principles of design

Concepts/Ideas

4 = A: Ideas are highly inventive, innovative and effective

3 = B: Interesting ideas and concepts

2 = C: Ideas are standard but acceptable

1 = D: Ideas are stereotypical with little effort at discovering or expressing personal visual language

Work ethic/ Presentation/Craft

4 = A: Dynamic work ethic and professional presentation

3 = B: Energetic working method and effective presentation

2 = C: Minimal energy applied to work, lackluster presentation

1 = D: Lack of enthusiasm, careless presentation

 

GRADING SCHEMA: 12 points = 100%

87.5% and less than 100% = A

70.83 and less than 87.5% = B

50% and less than 70.83% = C

29.17% and less than 50% = D

0 and less than 29.17% = F 

Attendance

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\ ATTENDANCE POLICY: Attendance is CRITICAL to your success in this course.Please note that Amarillo College allows only 2 absences for any reason, with the consequences of missing additional classes to be determined at the discretion of the instructor. Therefore:

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  • \ You will sign in each class period and WILL BE HELD RESPONSIBLE for signing their own name on the attendance sheet in class.  (The instructor is not responsible for students’ failure to sign the class attendance sheet!)
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  • \ FAILURE TO SIGN THE ATTENDANCE SHEET RESULTS IN AN ABSENCE. NO EXCEPTIONS.
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  • \ I will allow 5 absences without penalty. The 6th absence will lower your final grade by one letter. Each subsequent absence will result in an additional letter grade deduction.
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  • \ Students are responsible for keeping up with their own absence totals. Upon request, and outside of class time, students may inquire as to the number of absences they have.
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  • \ Late arrivals and early departures may be counted as absences
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  • \ If you have extenuating circumstances that impact your ability to attend class, please contact me ASAP.
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\ In addition to the requirement to be in class for demonstration, lecture and work time, your presence is a source of insight and learning for all class members. The impact of your full participation cannot be overestimated. 

Calendar

(formatting lost - see me for hard copy)

DRAWING 1            ALL DATES AND PROJECTS SUBJECT TO CHANGE

Week                   Monday                                                                     Wednesday                                                                                                  

1

 

Aug. 25

Aug. 27

Syllabus

Introduction

 

Purchase textbook and supplies

 

 

Introductory exercises/Sketchbook:

Emphasis: right-brain shift

Materials: graphite and pen

 

Homework/ Sketchbook:

Read p. 10-19

  • define “critical vs. practical dialogue” (can you relate to these statements?), “look, hold, draw” and “restating”
  • draw examples from the text or your own

2

 

Sept. 1

Sept. 3

 

LABOR DAY; no class

 

 

 

 

Quick Draw: Organizational line drawing

Emphasis: relational accuracy

Materials: graphite, eraser

 

Quick Draw: Ellipses/Bottle study

to be completed in class

Emphasis: right-brain shift, observation

Materials: graphite

 

Homework/Sketchbook:

Read: p. 20-35; take notes

  • what are the “four rules of shape”?
  • Find 2 complex objects and render their basic shapes (see p. 26)
  • Find a reflective object and render its external shapes and “enrichment shapes” (p. 27)

3

 

Sept. 8

Sept. 10

 

Sketchbook/Class: Exploratory line, Accent Line, Cross-Hatching and Chiaroscuro studies, “free” vs. “control” handwriting (and in combination) hard and soft edges

Material Studies, p 63-67

Tonal bars (graphite), p 60

Ellipses, p 144-145

 

Lecture/Demo, Sustained Drawing 1: “Four Ways”

 

Homework/Sketchbook:

Read p. 58-67; take notes

  • Try 3 different grips with your softest pencil and draw 3 different “gestural” images
  • 1 “five minute burn”

AND

Read p. 70-100 (Proportion and Measurement)

 

Sustained Drawing: “Four Ways”

 

 

 

Homework/Sketchbook:

Re-read p. 70-100 (Proportion and Measurement)

  • What are 3 measurement techniques discussed in the text? Explain them.
  • Do 4 quick sketches of a still life you set up at home (containing 3 objects), utilizing the Exploratory line, Accent Line, Cross-Hatching and Chiaroscuro techniques.

4

 

Sept. 15

Sept. 17

 

CRITIQUE: “Four Ways”

 

Begin “Accuracy”

Lecture and composition thumbnails

 

Homework/Sketchbook:

Chapter 3 is the key reading for this drawing

  • 1 “five minute burn”, with an emphasis on relational accuracy.

 

Sustained Drawing: “Accuracy” work day

w/ composition thumbnails in sketchbook

Emphasis: accuracy and full expression of value scale, composition

Materials: graphite, eraser

 

Homework/Sketchbook:

Read Chapter 4, p. 102-127; take notes

 

 

5

 

Sept. 22

Sept. 24

 

WORK DAY

 

WORK DAY

 

6

 

Sept. 29

Oct. 1

CRITIQUE: Accuracy

 

 

 

Homework:

Read: 40 – 57, “Copying an Artist’s Handwriting”

Sustained Drawing(s): Continuous-Line (or “connected line”) drawings

(one black and white; one color)

Materials: Sharpie, colored media of your choice (I will provide several)

 

Homework/Sketchbook:

  • Choose an object from your home; emulate another artist’s marks (complete exercise

       2-B, p. 57)

7

 

Oct. 6

Oct. 8

 

Lecture/Demo/PP: Additive and Subtractive Drawing in Charcoal

 

Sketchbook/Class: willow and compressed charcoal tonal bars, composition thumbnails,

 

Quick Draw: Charcoal materials exploration and/or Expressive Charcoal study (ies)

 

Homework:

make your objects

Sustained Drawing: Subtractive Drawing

“Origami”

Emphasis: Lighting, value scale, composition

Materials: willow and compressed charcoal, erasers

 

Homework: (you will need an object and a table lamp)

Draw an object from your home 4 times, showing 4 different light sources (see p. 110)

 

 8

 

Oct. 13

Oct. 15

WORK DAY

 

CRITIQUE: Subtractive Drawing:

“Origami”

 

 

 

 

9

 

Oct. 20

Oct. 22

 

Sustained Drawing: Dia de los Muertos project intro

 

Homework: gather source objects/images for project

Sustained Drawing: Dia de los Muertos WORK DAY

 

Read: pp 212-215, “Integrating Personal Experience” and “Photographs”

10

 

Oct. 27

Oct. 29

Dia de los Muertos

Critique or Event

Lecture/Demo on “Portrait” Drawing

 

Quick Draw: “Squint” portrait

 

Homework/Sketchbook:

Re-read Chapters 3-4; take notes

Read pp. 178-183 on COMPOSITION

  • Find your photo

Do 3 quick sketches from the photo

11

 

Nov. 3

Nov. 5

Sustained drawing: “Portrait”: WORK DAY

Emphasis: accuracy OR expressiveness and value scale

Materials: graphite or charcoal

 

Homework/Sketchbook:

Sketch a three-quarter view head (from photo or observation) see p 92

CRITIQUE: Portrait

 

Homework: gather source objects/images for monotype

12

 

Nov. 10

Nov. 12

TBA

 

 

 

TBA

 

13

 

Nov. 17

Nov. 19

(Nov. 18

Last day to withdraw)

Sketchbook/Class: 3 thumbnail-size texture studies

 

Sustained drawing: “Texture”

at Natural History Museum

 

Materials: graphite or white pencil (Museum rules)

Sustained drawing: “Texture”

at Natural History Museum

Materials: graphite or white pencil (Museum rules)

 

Sketchbook/Class: 3 thumbnail-size texture studies

 

 

14

 

Nov. 24

Nov. 26

 

“Texture” work day

 

 

TBA

 

Announce Final Project

and necessary materials

15

 

Dec. 1

Dec. 3

Work Day

FINAL CRITIQUE

16

 

Dec. 8

Dec. 10

FINALS WEEK

 

 

Commencement: Friday, Dec 13, 10am

 

 

Additional Information

CIVILITY: Disruptions and/or any behavior that the instructor considers inappropriate will not be tolerated and will result in dismissal from the class. The key word in our interactions is RESPECT. Every student is expected to be i

Syllabus Created on:

11/30/-1 12:00 AM

Last Edited on:

11/30/-1 12:00 AM