CUB 007
Spring 2026 office hours:
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ARTS-1316-001 Drawing I
A foundation studio course exploring drawing with emphasis on descriptive, expressive and conceptual approaches. Students will learn to see and interpret a variety of subjects while using diverse materials and techniques. Course work will facilitate a dialogue in which students will engage in critical analysis and begin to develop their understanding of drawing as a discipline.
Student Resources Student Resources Website
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(3 sem hrs; 2 lec, 4 lab)
On Campus Course
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\\ Required text:
\\ Bert Dodson, Keys to Drawing, (Cincinatti, Ohio: North Light Books) 1985
\\ ISBN-10: 0-89134-337-7
\\ ISBN-13: 978-0-8913
SUPPLIES: &nbs
ARTS 1316 Drawing I
A foundation studio course exploring drawing with emphasis on descriptive, expressive and conceptual approaches. Students will learn to see and interpret a variety of subjects while using diverse materials and techniques. Course work will facilitate a dialogue in which students will engage in critical analysis and begin to develop their understanding of drawing as a discipline.
Learning Outcomes (ACGM)
Upon successful completion of this course, students will:
1. Describe visual subjects through the use of accurate and sensitive observation.
2. Generate drawings which demonstrate descriptive, expressive, and conceptual approaches.
3. Utilize varied materials and techniques with informed aesthetic and conceptual strategies.
4. Demonstrate an appropriate level of professional practice, including safety, craft and presentation.
5. Analyze and critique drawings verbally and/or in writing.
6. Relate drawing to design, art history and contemporary artistic production.
Specific Course Outcomes:
1. Students will demonstrate effective communication, critical thinking, and teamwork skills.
2. Students will demonstrate an understanding of the relationship of the Visual Arts and Social Responsibility.
3. Students will gain familiarity with drawing terminology.
4. Students will work with a variety of drawing tools.
5. Students will be able to apply the Principles of Design to their drawings.
6. Students will apply a variety of techniques in drawing.
7. Students will solve visual problems and create dynamic compositions.
8. Students will utilize techniques emphasizing accurate, expressive, and conceptual approaches.
9. Students will discuss their work in verbal and/or written form.
10. Students will present work for grading in a professional manner, as directed by the instructor.
11. Students will participate meaningfully in critique.
12. Students will maintain a professional and respectful attitude.
13. Students will maintain classroom facilities and shared supplies.
In order to receive your AC Connect Email, you must log in through AC Connect at https://acconnect.actx.edu .
If you are an active staff or faculty member according to Human Resources, use "Exchange". All other students, use "AC Connect (Google) Email".
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\\ CRITIQUES:
\\ Critique allows all class members to discuss design and conceptual issues and evaluate the effectiveness of each project. Respect for each other and each person's work is of the utmost importance. This part of our classroom activities is crucial to the creative and technical learning process, giving us an opportunity to learn from each other.
\\ CIVILITY:Disruptions and/or any behavior that the instructor considers inappropriate will not be tolerated and will result in dismissal from the class. Every student deserves and will receive the respect of others. Every student is expected to be involved and engaged with other students and the instructor. For this reason, NO HEADPHONES OR PERSONAL ELECTRONIC DEVICES ALLOWED.
GRADING POLICY:
“Quick Draws”: 40%
Sustained Drawings: 50%
Sketchbook, Homework Assignments and Participation, including Critique: 10%
GRADING SCALE:
Because art is more subjective than many other fields, it is important to understand some of the broad areas of the assessment of artworks. "Quick draws" and "Sustained drawings" will be evaluated according to three major areas, which will vary according to the subject matter. Each drawing will have a slightly different rubric depending on the subject matter - however, there will always be 3 areas of assessment. Each area will be ranked from 4 - 1 (4 = excellent, 3 = good, 2 = average, 1 = poor) for a maximum of 12 points. For example:
Composition/Technique
4 = A: Dynamic use of the elements and principles of design
3 = B: Effective use of the elements and principles of design
2 = C: Acceptable use of the elements and principles of design
1 = D: Ineffective use of the elements and principles of design
Concepts/Ideas
4 = A: Ideas are highly inventive, innovative and effective
3 = B: Interesting ideas and concepts
2 = C: Ideas are standard but acceptable
1 = D: Ideas are stereotypical with little effort at discovering or expressing personal visual language
Work ethic/ Presentation/Craft
4 = A: Dynamic work ethic and professional presentation
3 = B: Energetic working method and effective presentation
2 = C: Minimal energy applied to work, lackluster presentation
1 = D: Lack of enthusiasm, careless presentation
GRADING SCHEMA: 12 points = 100%
87.5% and less than 100% = A
70.83 and less than 87.5% = B
50% and less than 70.83% = C
29.17% and less than 50% = D
0 and less than 29.17% = F
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\\ ATTENDANCE POLICY: Attendance is CRITICAL to your success in this course.Please note that Amarillo College allows only 2 absences for any reason, with the consequences of missing additional classes to be determined at the discretion of the instructor. Therefore:
\\ In addition to the requirement to be in class for demonstration, lecture and work time, your presence is a source of insight and learning for all class members. The impact of your full participation cannot be overestimated.
(formatting lost - see me for hard copy)
DRAWING 1 ALL DATES AND PROJECTS SUBJECT TO CHANGE
Week Monday Wednesday
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1
Aug. 25 Aug. 27 |
Syllabus Introduction
Purchase textbook and supplies
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Introductory exercises/Sketchbook: Emphasis: right-brain shift Materials: graphite and pen
Homework/ Sketchbook: Read p. 10-19
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2
Sept. 1 Sept. 3
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LABOR DAY; no class
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Quick Draw: Organizational line drawing Emphasis: relational accuracy Materials: graphite, eraser
Quick Draw: Ellipses/Bottle study to be completed in class Emphasis: right-brain shift, observation Materials: graphite
Homework/Sketchbook: Read: p. 20-35; take notes
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3
Sept. 8 Sept. 10
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Sketchbook/Class: Exploratory line, Accent Line, Cross-Hatching and Chiaroscuro studies, “free” vs. “control” handwriting (and in combination) hard and soft edges Material Studies, p 63-67 Tonal bars (graphite), p 60 Ellipses, p 144-145
Lecture/Demo, Sustained Drawing 1: “Four Ways”
Homework/Sketchbook: Read p. 58-67; take notes
AND Read p. 70-100 (Proportion and Measurement)
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Sustained Drawing: “Four Ways”
Homework/Sketchbook: Re-read p. 70-100 (Proportion and Measurement)
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4
Sept. 15 Sept. 17
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CRITIQUE: “Four Ways”
Begin “Accuracy” Lecture and composition thumbnails
Homework/Sketchbook: Chapter 3 is the key reading for this drawing
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Sustained Drawing: “Accuracy” work day w/ composition thumbnails in sketchbook Emphasis: accuracy and full expression of value scale, composition Materials: graphite, eraser
Homework/Sketchbook: Read Chapter 4, p. 102-127; take notes
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5
Sept. 22 Sept. 24
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WORK DAY
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WORK DAY |
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6
Sept. 29 Oct. 1 |
CRITIQUE: Accuracy
Homework: Read: 40 – 57, “Copying an Artist’s Handwriting” |
Sustained Drawing(s): Continuous-Line (or “connected line”) drawings (one black and white; one color) Materials: Sharpie, colored media of your choice (I will provide several)
Homework/Sketchbook:
2-B, p. 57) |
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7
Oct. 6 Oct. 8
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Lecture/Demo/PP: Additive and Subtractive Drawing in Charcoal
Sketchbook/Class: willow and compressed charcoal tonal bars, composition thumbnails,
Quick Draw: Charcoal materials exploration and/or Expressive Charcoal study (ies)
Homework: make your objects |
Sustained Drawing: Subtractive Drawing “Origami” Emphasis: Lighting, value scale, composition Materials: willow and compressed charcoal, erasers
Homework: (you will need an object and a table lamp) Draw an object from your home 4 times, showing 4 different light sources (see p. 110)
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8
Oct. 13 Oct. 15 |
WORK DAY
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CRITIQUE: Subtractive Drawing: “Origami”
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9
Oct. 20 Oct. 22
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Sustained Drawing: Dia de los Muertos project intro
Homework: gather source objects/images for project |
Sustained Drawing: Dia de los Muertos WORK DAY
Read: pp 212-215, “Integrating Personal Experience” and “Photographs” |
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10
Oct. 27 Oct. 29 |
Dia de los Muertos Critique or Event |
Lecture/Demo on “Portrait” Drawing
Quick Draw: “Squint” portrait
Homework/Sketchbook: Re-read Chapters 3-4; take notes Read pp. 178-183 on COMPOSITION
Do 3 quick sketches from the photo |
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11
Nov. 3 Nov. 5 |
Sustained drawing: “Portrait”: WORK DAY Emphasis: accuracy OR expressiveness and value scale Materials: graphite or charcoal
Homework/Sketchbook: Sketch a three-quarter view head (from photo or observation) see p 92 |
CRITIQUE: Portrait
Homework: gather source objects/images for monotype |
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12
Nov. 10 Nov. 12 |
TBA
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TBA |
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13
Nov. 17 Nov. 19 (Nov. 18 Last day to withdraw) |
Sketchbook/Class: 3 thumbnail-size texture studies
Sustained drawing: “Texture” at Natural History Museum
Materials: graphite or white pencil (Museum rules) |
Sustained drawing: “Texture” at Natural History Museum Materials: graphite or white pencil (Museum rules)
Sketchbook/Class: 3 thumbnail-size texture studies
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14
Nov. 24 Nov. 26
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“Texture” work day
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TBA
Announce Final Project and necessary materials |
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15
Dec. 1 Dec. 3 |
Work Day |
FINAL CRITIQUE |
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16
Dec. 8 Dec. 10 |
FINALS WEEK |
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Commencement: Friday, Dec 13, 10am |
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CIVILITY: Disruptions and/or any behavior that the instructor considers inappropriate will not be tolerated and will result in dismissal from the class. The key word in our interactions is RESPECT. Every student is expected to be i
11/30/-1 12:00 AM
11/30/-1 12:00 AM