Life Drawing I Syllabus for 2014-2015
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Instructor Information

Office Location

CUB 007

Office Hours

Spring 2026 office hours: 

M/W 11:45-12 noon in CUB 001 or 007, 12noon - 12:45 Parcells 408
T/TH 3:15 - 4 CUB 010 or 007
by appointment, or send email for Zoom link

Course Information

Recording Policy

Disability Statement

Any student who, because of a disabling condition, may require some special arrangements in order to meet course requirements should contact disAbility Services (Student Service Center room 119, phone 371-5436) as soon as possible.

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As a student you may experience a range of issues that can cause barriers to learning, such as strained relationships, increased anxiety, alcohol/drug problems, feeling down, difficulty concentrating and/or lack of motivation. These mental health concerns or stressful events may lead to diminished academic performance or reduce a student's ability to participate in daily activities. Amarillo College offers services to assist you with addressing these and other concerns you may be experiencing. If you or someone you know are suffering from any of the aforementioned conditions, you can learn more about the broad range of confidential mental health services available on campus by calling the AC Counseling Center at 806-371-5900. The AC Counseling Center website is https://www.actx.edu/counseling/ . Also, if you are in need of social services (affordable housing, utilities, transportation, food, clothing, childcare, medical/dental/vision, legal), please call the AC Advocacy & Resource Center at 806-371-5439. The AC Advocacy & Resource Center website is https://www.actx.edu/arc

Amarillo College Tutoring for Success Policy:

Administrative Drop Policy

N/A

Student Withdrawal Procedures

N/A

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The Amarillo College Privacy Policy is found at https://www.actx.edu/-amarillo-college-privacy-notice , and applies to all Amarillo College students.  If you have questions about this privacy statement or you believe that your personal information has been released without your consent, send email to humanresources@actx.edu .

Course

ARTS-2323-001 Life Drawing I

Prerequisites

Prerequisite: ARTS 1317

Course Description

Basic study of the human form.

Student Resources Student Resources Website

Department Expectations

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Occupational License Disclaimer

Hours

(3 sem hrs; 2 lec, 4 lab)

Class Type

On Campus Course

Syllabus Information

Textbooks

REQUIRED TEXT:

Valerie L. Winslow, Classic Human Anatomy: The Artist’s Guide to Form, Function and Movement (Watson-Guptil, NY, NY: 2009)

ISBN: 0-8230-2415-6

Recommended texts:

Supplies

\ SUPPLIES:
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\ •    Pad(s) of good quality drawing paper, 18” x 24” or larger (look for heavyweight paper with a good tooth) Look for serrated top edges so the drawing can be easily removed from pad. Yo

Student Performance

ARTS 2323 Life Drawing I

Basic study of the human form

 

Exemplary Educational Objectives                                                   ACGM

 

  1. To demonstrate awareness of the scope and variety of works in the arts and humanities.
  2. To understand those works as expressions of individual and human values within an historical and social context.
  3. To respond critically to works in the arts and humanities.
  4. To engage in the creative process or interpretive performance and comprehend the physical and intellectual demands required of the author or visual or performing artist.
  5. To articulate an informed personal reaction to works in the arts and humanities.
  6. To develop an appreciation for the aesthetic principles that guide or govern the humanities and arts.
  7. To demonstrate knowledge of the influence of literature, philosophy, and/or the arts on intercultural experiences.

 

 

Specific Course Outcomes:

Students will

 

  • Develop understanding of the human form
  • Draw the human figure accurately displaying normative proportional relationships of the body’s parts to the whole
  • Depict the figure in a variety of poses using foreshortening (linear perspective)
  • Convey gesture, the illusion of expressive movement, when drawing the figure spontaneously in very brief periods of time
  • Work with a variety of drawing tools
  • Develop their skills of observation.
  • Draw the figure so that the illusion of volume is achieved through a variety of shading techniques
  • Simplify, exaggerate, or distort visual elements and normative proportions to interpret expressive qualities of the figure
  • Evoke mood through the expressive use of drawing materials
  • Utilize techniques emphasizing accurate, expressive, and conceptual approaches
  • Understand and utilize appropriate art terminology
  • Participate meaningfully in critique
  • Cultivate self-reflection about one’s work
  • Write an artist statement and discuss their work in a formal setting
  • Present work for grading in a professional manner, as directed by the instructor
  • Maintain a professional and respectful attitude  
  • Maintain classroom facilities and shared supplies

Students Rights and Responsibilities

Student Rights and Responsibilities

Log in using the AC Connect Portal

In order to receive your AC Connect Email, you must log in through AC Connect at https://acconnect.actx.edu .

If you are an active staff or faculty member according to Human Resources, use "Exchange". All other students, use "AC Connect (Google) Email".

Expected Student Behavior

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\ CRITIQUES:

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\ Critique allows all class members to evaluate the effectiveness of each drawing. Respect for each other is of the utmost importance. This part of our classroom activities is crucial to the creative and technical learning process, giving you an opportunity to learn from your peers. Your participation (or lack thereof) in critique will impact your grade.

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\ BEHAVIOR:The key word regarding class behavior is RESPECT. Every person in the room deserves and will receive the respect of others. Disruptions and/or any behavior that the instructor considers inappropriate will not be tolerated and will result in dismissal from the class. Every student is expected to be involved and engaged with other students and the instructor. For this reason, NO HEADPHONES OR PERSONAL ELECTRONIC DEVICES ARE ALLOWED. 

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\ POLICY CONCERNING MODELS:

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  • \ Cameras and cell phones: No cameras are allowed in the classroom during life drawing sessions. Since many cell phones include cameras, you may not have your cell phone out at any time. If you must take a call, please do so during break time.
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  • \ While the model is posing, you should not open or close the classroom door. THIS MEANS BEING ON TIME FOR CLASS IS IMPORTANT.
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  • \ Never touch the model.
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  • \ Inappropriate behavior will result in dismissal from the course for the semester.
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Grading Criteria

GRADING POLICY:

Student grades will be based on 100 total points and four major areas of assessment, weighted as follows:

  • Midterm portfolio review (40%)
    1. Your typewritten response to midterm questionnaire: 20%
    2. Formal and conceptual quality, exploration and experimentation: 80%
  • Final digital portfolio with artist statement (40%)
  • Your artist statement, as well as responses to specific questions: 20%
  • Formal and conceptual quality, exploration and experimentation, as well as growth over the course of the semester: 80%
  • Sketchbook, homework, research, quizzes or other assignments (20%)
  • Participation in class, critique and work ethic always have an impact on your grade. Points will be deducted for each episode of tardiness, lack of necessary supplies, etc.

 

LATE and MAKE-UP WORK: Because in-class work is almost always a response to a specific prompt and model, it can rarely be “made up”. This is the reason for the absence policy.

TARDINESS should be avoided. We are working with an undraped model, and late arrival is disruptive. After the class begins, the door will be locked, and you will not be able to enter until break.

 

GRADING SCALE:

Because art is more subjective than many other fields, it is important to understand some of the broad areas of assessment in this class. Portfolios will be evaluated using a four-point scale, which corresponds to letter grades. Four major areas will be assessed. (I will also utilize +/- (or .5 points)

 

Technique/Use of materials/Composition

A/4: Exceptional technique/use of materials/composition

B/3: Effective technique/use of materials/composition

C/2: Acceptable technique/use of materials/composition

D/1: Poor technique/use of materials/composition

 

Concepts/Ideas/Exploration

A/4: Ideas are highly inventive, innovative and effective

B/3: Interesting ideas and concepts

C/2: Ideas are standard but acceptable

D/1: Ideas are stereotypical with little effort at discovering or expressing personal visual language

 

Work ethic/ Presentation/Craft (including presentation in portfolio)

A/4: Exceptional work ethic and professional presentation

B/3: Energetic working method and effective presentation

C/2: Minimal energy applied to work, lackluster presentation

D/1: Lack of enthusiasm, careless presentation

 

As part of the portfolio reviews, I will also look at your writing:

Reflection/Observation/Writing

A/4: High level of insight and quality of writing

B/3: Good level of insight and quality of writing

C/2: Acceptable level of insight and quality of writing

D/1: Low level of insight and quality of writing

 

 

This system corresponds to that of the GPA:

  • A = EXCELLENT
  • B = GOOD
  • C = AVERAGE or ADEQUATE 
  • D = POOR
  • F = FAIL

LACK OF ATTENDANCE MAY RESULT IN GRADE DEDUCTIONS

Additional information on grading:

“A” level coursework/final:

A number of drawings that demonstrate an excellent accurate, proportional depiction of the full human figure, as well as works that consistently demonstrate a mastery of the elements and principles of design, particularly line variation, lighting/value, texture, and composition. A number of drawings will also demonstrate expressiveness and experimentation with new techniques and concepts.

The final digital portfolio will follow the requirements listed, and the photographs will be appropriately edited and labeled as per instructions.

 

“B” level coursework/final:

Some drawings that demonstrate a solid accurate, proportional depiction of the full human figure, as well as works that consistently demonstrate the development of the elements and principles of design, particularly line variation, lighting/value, texture, and composition. There will also be works that show expressiveness and experimentation with new techniques and concepts.

The final digital portfolio will follow the requirements listed, and the photographs will be appropriately edited and labeled as per instructions.

 

“C” level coursework/final:

A number of drawings that demonstrate the development of an accurate, proportional depiction of the full human figure, as well as works that demonstrate the development of the elements and principles of design, particularly line variation, lighting/value, texture, and composition. There will also be willingness to demonstrate expressiveness and experimentation with new techniques and concepts.

The final digital portfolio will follow the requirements listed, and the photographs will be appropriately edited and labeled as per instructions.

 

“D” level coursework/final:

“D” level work is usually the result of too many absences combined with average coursework.

The final digital portfolio does not follow the requirements listed, or photographs may not be appropriately edited and labeled as per instructions

 

“F” level coursework/final:

“F” level work is usually the result of too many absences.

Final Portfolio not turned in.

A discussion on “best effort”: It is one of the frustrations of art studio courses that you may feel that you have put forth your “best effort”, and yet not received an “A”. (an example: I can guarantee that my very best effort in Trigonometry would not earn me an “A”) Please consider that while art is somewhat subjective, there are some objective standards – most of which are circumscribed in the Elements and Principles of Design. Please read, understand and try to practice these skills.

Also, figure drawing, like any course of study, requires regular practice beyond what is required in class. The more you practice, the more proficient you will become. This is the reason for the homework assignments in your sketchbook, but your own work in the sketchbook is equally important for your progress in the course, and more importantly, for your growth as an artist. 

 

GRADING SCHEMA:

89.5% and less than 100% = A

79.5% and less than 89.5% = B

69.5% and less than 79.5% = C

59.5% and less than 69.5% = D

0 and less than 59.5% = F

Attendance

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\ ATTENDANCE POLICY: Attendance is CRITICAL to your success in this course.Please note that Amarillo College allows only 2 absences for any reason, with the consequences of missing additional classes to be determined at the discretion of the instructor. Therefore:

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  • \ STUDENTS WILL BE HELD RESPONSIBLE for signing their own name on the attendance sheet in class.  (The instructor is not responsible for students’ failure to sign the class attendance sheet!)
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  • \ FAILURE TO SIGN THE ATTENDANCE SHEET RESULTS IN AN ABSENCE. NO EXCEPTIONS
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  • \ I will allow 5 absences without penalty. The 6th absence will lower your final grade by one letter. Each subsequent absence will result in an additional letter grade deduction.
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  • \ Students are responsible for keeping up with their own absence totals. Upon request, and outside of class time, students may inquire as to the number of absences they have.
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  • \ Late arrivals and early departures may be counted as absences. (2 tardies or early departures = 1 absence)
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  • \ If you have extenuating circumstances that impact your ability to attend class, please contact me ASAP.
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\ In addition to the requirement to be in class for demonstration, lecture and work time, your presence is a source of insight and learning for all class members. The impact of your full participation cannot be overestimated. 

Calendar

LIFE DRAWING (Drawing III)                        USE pencils/pens/sharpie in sketchbook- not charcoal

 

Week                        Tuesday                                              Thursday

1

Aug. 26

Aug 28

Syllabus

Introductory PP:

Major figurative artists and peer examples

 

 

Homework: “I know what I like”

See handout

 

Class Discussion:

Your artist examples -

take notes in sketchbook: who interests you/why, techniques to try, etc.

 

 

Sketchbook overview and

Begin to collect ephemera – bits of paper, etc that may be used as collage elements

2

Sept. 2

Sept. 4

PROMPT: Mark-making

 

BRING NEWSPRINT PAPER AND
COMPRESSED CHARCOAL

 

 

PROMPT/MODEL:

Introduction to Gesture Drawing

 & learning to see the figure in terms of shapes

 

Homework/Sketchbook:

Introduction to Gesture Drawing

Read: pp 244-251 (proportion of the figure and gesture)

Homework/Sketchbook: Copy 5 of the gesture drawings from the packet

3

Sept. 9

Sept. 11

PROMPT/MODEL:

learning to see the figure in terms of shapes continued

 

Homework/Sketchbook:

Read: pp 26- 39 (midline), Copy diagrams: p 145, 148 (structure of torso, showing the midline and shoulder/pelvic axes - use technique in class)

 

PROMPT/MODEL:

 

 

Homework/Sketchbook:

Read: Chapter 3

Sketch the spinal diagrams on:

p. 113 (lower right) and all on p. 114 (flexion and extension of spine)

Sketch the ribcage and thoracic arch diagrams on the lower part of p 115 (notice the REAL structure of the ribcage)

4

Sept. 16

Sept. 18

PROMPT/MODEL:

 

 

Homework/Sketchbook:

Referring to the handout and to pp 246 - 248, complete 10 gesture drawings in your sketchbook by visiting “posemaniacs.com” and completing 5 gesture drawings on the 1-minute timer, and 5 on the 30-second timer

 

PROMPT/MODEL:

 

 

Homework/Sketchbook:

Read: pp 132 – 135 (the “six-pack”, the obliques and the inguinal ligament)

Copy the six figures (with highlighted elements) on p 135

5

Sept. 23

Sept. 25

PROMPT/MODEL:

 

Homework/Sketchbook:

Read pp. 61- 67 (the muscular structure, types of muscle, and the muscles of the arm)

Copy the drawing on p. 61 (full figure)

Re-read pp. 122-125 (the muscles of  the torso)

Copy the muscle studies on pp. 122 and 123 (torsos), and the drawing on 144 (study of back with arms up)

 

PROMPT/MODEL:

 

Homework/Sketchbook:

Copy all drawings/ diagrams on p. 178 (the structure and surface forms of the arms – use technique in class)

 

Read: pp. 222-225

Copy all diagrams on p. 222 (the structure and surface forms of the arms – use technique in class)

6

Sept. 30

Oct. 2

PROMPT/MODEL:

 

Homework/Sketchbook:

Read: pp. 69-107 (the head, face and neck)

Copy studies of the central axis of the head, p. 96. (lower left: central axis of the head, multiple views)

PROMPT/MODEL:

 

 

 

 

 

SKETCHBOOK CHECK

7

Oct. 7

Oct. 9

PROMPT/MODEL:

 

 

Homework/Sketchbook:

Copy planar studies (2), p. 97

and Copy the “Skeletal Portrait” on p. 69.

 

PROMPT/MODEL:

 

Homework/Sketchbook:

Read: pp. 183-199 (the hands)

Copy the drawing on p 188 (the hand in 8 poses)

 

 

8

Oct. 14

Oct. 16

PROMPT/MODEL:

 

Homework/Sketchbook:

Read: pp. 232, 238-241 (the feet)

Copy the drawing on p 233 (left side: the foot in 8 poses

 

 

PROMPT/MODEL:

 

 

9

Oct. 21

Oct. 23

PROMPT/MODEL:

 

                                                       

PLEASE NOTE: YOU SHOULD BE PREPARING FOR YOUR MIDTERM REVIEW NOW

 

PROMPT/MODEL:

 

 

PLEASE NOTE: YOU SHOULD BE PREPARING FOR YOUR MIDTERM REVIEW NOW

 

10

Oct. 28

Oct. 30

 

Midterm reviews this week

 

While people wait for their individual meetings, prepare at least 2 sheets of paper with collage elements (to be discussed in class)

 

 

 

 

Midterm reviews this week

 

While people wait for their individual meetings, make prepared paper, or work on sketchbook assignments

 

 

11

Nov. 4

Nov. 6

PROMPT/MODEL:

 

 

Homework/Sketchbook:

Research an artist that features the figure in their work. If you do not know of any artists whose work interests you, look at your notes from January 23, or begin to look at sources. Go to the library, or search online. (I am deliberately leaving instructions loose).

 

PROMPT/MODEL:

 

 

Homework/Sketchbook:

Research an artist, cont:

 

In your sketchbook, “copy” at least two compositions by your chosen artist. Also include written information about them, their subject matter, and their ideas, as well as your responses to their work.

 

12

Nov.  11

Nov.  13

PROMPT/MODEL:

 

 

PROMPT/MODEL:

Homework/Sketchbook:

Draw a self-portrait in a mirror. Accomplish as much as possible in 30 minutes

PROMPT/MODEL:

 

 

Homework/Sketchbook:

Try to feel your internal anatomy and interior movement in your own body. Depict that in any way you wish – this is an exercise in imagination.

13

Nov. 18

Nov. 20

PROMPT/MODEL:

 

Turn in your artist statement for Showcase for my review

 

 

PROMPT/MODEL:

 

SHOWCASE/TBA?

14

Nov. 25

Nov. 27

PROMPT/MODEL:

 

SKETCHBOOKS TURNED IN –

FINAL TIME

Thanksgiving

15

Dec. 2

Dec. 4

In Class/Homework: Photograph your work with a digital camera

(class at CTL – Google Drive portfolio)

 

 

 

16

Dec. 9

Dec. 11

Finals Week

CD portfolios due today by noon

OR UPLOAD IMAGES TO GOOGLE DRIVE

 

http://chronicle.com/blogs/profhacker/

host-a-website-on-google-drive/46737

 

 

 

 

Finals Week Dec. 8-12                                    Final Portfolios due Dec 9

 

 

 

Some specific works will be given special attention, and should be included in your Final Portfolio as well as your Showcase images:

 

  1. your most realistic full-figure image
  2. an image that focuses on the full value scale and realistic lighting
  3. a study featuring hands
  4. a portrait
  5. an image in color: (ex. “three colors”, pastel, colored inks or watercolor, colored pencil)
  6. a work that features expressive mark-making
  7. a work on prepared paper
  8. a master copy
  9. a selection of gesture drawings
  10. at least 2 images from your sketchbook

Additional Information

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\ ART SHOWCASE: Every semester, advanced level art classes present their work before a panel of judges at the “Art Showcase”. During the showcase, you will present an art statement and a small selection o

Syllabus Created on:

11/30/-1 12:00 AM

Last Edited on:

11/30/-1 12:00 AM