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PHTC-1343-001 Expressive Photography
Prerequisite: ARTS 2356 or instructor consent
A study of formal, professional and individual uses of photography by applying photographic technology to personalized needs. Emphasis on creative visual thinking and problem solving and the exploration of personal vision.
Student Resources Student Resources Website
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(3 sem hrs; 2 lec, 4 lab)
On Campus Course
Required Common Reader Between Shades of Gray, by Ruta Sepetys (AC will provide copies)
Supply List
Supplies will vary for each student depending on project needs, technical issues, and obsessions. Supplies are provided for demos and labs; however, students should expect to buy their own supplies for proj
\ Course Description: A study of formal, professional, and individual uses of photography by applying photographic technology to personalized needs. Emphasis on creative visual thinking and problem solving and the exploration of personal vision. (WECM)
\\ End-of-Course Outcomes: Exhibit creative visual thinking; perform and execute photographic practices that include traditional and nontraditional procedures; and interpret various types of photographic imagery. (WECM)
\\ Specific Course Outcomes:
\\ Students will
\In order to receive your AC Connect Email, you must log in through AC Connect at https://acconnect.actx.edu .
If you are an active staff or faculty member according to Human Resources, use "Exchange". All other students, use "AC Connect (Google) Email".
Blackboard Online
The syllabus, assignment sheets, modules, and other documents are located on the Blackboard web page for this course. Students should contact AskAC with questions regarding log in. Students are responsible for downloading and printing documents as needed. Lecture comprehension and participation is greatly improved by reading the assigned material and reviewing assignment sheets before each lecture. There is a module associated with the section; students are required to read assigned materials, and watch videos at the start of each module. Grades are posted on a regular basis and should be reviewed by the student.
Attendance Policy
In order for students to complete this course successfully, it is necessary to attend the class and participate in demonstrations, discussions, and other activities scheduled each day. Because the instructor cannot possibly know the reason why a student missed class, there is no distinction between excused and unexcused absences. Material covered in class cannot be “made-up.” It is highly recommended that students get class notes, and demonstrations, from other students for any missed classes. In order to be fair to students that do attend classes, the instructor cannot provide private tutoring sessions to individual students who miss class. It is not necessary to contact the instructor regarding absences, or to ask permission. (Refer to “Attendance Policy” for more details)
Critique Policy
In order to provide each person with a thoughtful critique of their work, all other activities must stop once a critique begins, and students need to engage in the critique process. So that everyone feels comfortable expressing their ideas about images, students need to listen to each other and respect varying viewpoints. To ensure students are able to hear all comments about their work, refrain from private conversations and direct all comments to the group discussion. Student projects not completed by the start of critique are late. (Refer to “Late Work Policy” for details) In fairness to those who completed their projects on time, please set aside incomplete projects so as not to distract from the critique. Unfortunately, the course schedule does not allow time to provide late projects with a group critique; the instructor will assess late work on the appropriate grading rubric.
Email Policy
All students are assigned an email account by Amarillo College that can be accessed through Gmail. For correspondence with the instructor, please use rwest@actx.edu. The instructor, and Amarillo College, will use Gmail and AC Online for correspondence. For this reason, students are responsible for checking both on a regular basis.
Participation Policy
Students are expected to participate effectively in class discussions, labs, critiques, and activities during each class. Because student engagement plays a crucial role in learning, all students must attend every scheduled class. Students are allowed two absences without penalty. Three absences will result in a full letter grade deduction on the final grade for the course (an "A" becomes a "B"), at five absences there is a two letter grade deduction (an "A" becomes a "C"), and after 6 absences the student earns a failing grade in the course. Arriving late or leaving early (during lectures, demonstrations, and critiques) will count as one absence every third time.
Technology
Cell phones and unrelated computer use detract from the learning environment. The LED screens also fog paper in the darkrooms. Inappropriate use of technology during labs, lectures, and critiques will result in a five-point deduction from the next portfolio grade, per event.
Grading Criteria/Grade Scale
The course is graded on a 100 point scale and the percentages are as follows:
1st Portfolio - Pinhole 20%
2nd Portfolio - Holga and Cyanotype 20%
3rd Portfolio - Common Reader Visual Art Response 20%
Lab Notes Worksheet (300 points) 30%
In-Class Participation 10%
Refer to handouts for the requirements on each assignment and the portfolios.
Grading Format / A-F 100-0 points
A = Excellent (100-90)
B = Good (89-80)
C = Average (79-70)
D = Weak (69-60)
F = Unacceptable (59-0)
Grading Policy
Assessment of projects will be based on the following:
Visual Expression
Individual interpretation of assignment
Intentional compositional design
Explores the concept of photography as visual art
Technical Skills
Demonstrates knowledge of darkroom and camera operation
Presents technically well-crafted photographic in a professional manner
Demonstrates a willingness to experiment with new concepts
Displays an understanding of the concepts and techniques assigned
Professional Practices
Attends lectures, labs, and demonstrations
Participates in in-class activities, discussions, and critiques
Shows work in progress
Discusses ideas and asks questions while projects are in progress
Comes prepared for class, stays on task, and brings appropriate materials
Presents projects on time and meets the requirements of each assignment
Attendance Policy
In order for students to complete this course successfully, it is necessary to attend the class and participate in demonstrations, discussions, and other activities scheduled each day. Because the instructor cannot possibly know the reason why a student missed class, there is no distinction between excused and unexcused absences. Material covered in class cannot be “made-up.” It is highly recommended that students get class notes, and demonstrations, from other students for any missed classes. In order to be fair to students that do attend classes, the instructor cannot provide private tutoring sessions to individual students who miss class. It is not necessary to contact the instructor regarding absences, or to ask permission. (Refer to “Participation Policy” for more details)
Participation Policy
Students are expected to participate effectively in class discussions, labs, critiques, and activities during each class. Because student engagement plays a crucial role in learning, all students must attend every scheduled class. Students are allowed two absences without penalty. Three absences will result in a full letter grade deduction on the final grade for the course (an "A" becomes a "B"), at five absences there is a two letter grade deduction (an "A" becomes a "C"), and after 6 absences the student earns a failing grade in the course. Arriving late or leaving early (during lectures, demonstrations, and critiques) will count as one absence every third time.
This schedule is subject to change throughout the semester
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Module 1 |
Lensless Expression |
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Aug 25 |
Introductions - Blackboard - Syllabus
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Aug 27 |
1st portfolio and Lab Notes 1(technical section) Pinhole / Fab 4
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Sept 1 |
Building Cameras / Exposure / Darkroom
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Sept 3 |
Show and Tell / Lab Notes / Pinhole work day INK IS DUE
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Sept 8 |
Book Club pages 1-34 Making enlargement / Shooting film and film development Digital Negatives / Orange Masks / Stacking / Density Issues
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Sept 10 |
Show and Tell / Lab Notes / Cliché Verre and Photograms
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Sept 15 |
Book Club pages 35-74 Experimental Lab
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Sept 17 |
Work in Progress critique Show and Tell / Lab Notes |
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Sept 22 |
Book Club pages 75-105 Lab Day / Lab Notes 1 Due
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Sept 24 |
1st Portfolio Critique
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Module 2 |
Alternative Methods of Expression |
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Sept 29 |
Book Club pages 109-146 2nd Portfolio and Lab Notes 2 (technical section) Holga cameras / Double Exposure / Continuous Exposure / Tricks
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Oct 1 |
Show and Tell / Lab Notes Contact sheets / Enlargements / Holga Lab Fiber based printing
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Oct 6
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Book Club pages 147-185 Holga Lab
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Oct 8 |
Show and Tell / Lab Notes Bring enlarged negatives / Cyanotype Demo
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Oct 13 |
Book Club pages 186-221 Lab
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Oct 15 |
Show and Tell / Lab Notes Lab
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Oct 20 |
Book Club pages 222-248 Work in Progress Critique
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Oct 22
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Show and Tell / Lab Notes 2 Due Lab
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Module 3 |
Visual Expression |
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Oct 27 |
Book Club pages 250-295 3rd Portfolio: Common Reader Visual Art Response Lab Notes 3 (technical section) Lecture: Literary Expression in Photography
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Oct 29 |
2nd Portfolio Critique Common Reader Author - Ruta Sepetys talk
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Nov 3 |
Book Club pages 296-338 Mixed-media / transfers / bring photographs
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Nov 5 |
Show and Tell / Lab Notes Dan Estabrook Video / Fiber based printing
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Nov 10 |
Common Reader Brainstorming Session Lab Day Hand-coloring photographs (bring fiber base prints)
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Nov 12 |
Show and Tell / Lab Notes Work in Progress Critique
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Nov 17 |
Last day to withdraw from classes Lab Day
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Nov 19 |
Show and Tell / Lab Notes Due Work in Progress Critique
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Nov 24 |
Lab Day
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Nov 26 |
Thanksgiving Holiday
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Dec 1 |
Common Reader Visual Response Critique
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Dec 3 |
Reserved for extended critique - if necessary |
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Dec 4 |
Mandatory Lab Clean Up Day 1 pm All advanced students must participate. Please plan accordingly.
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Dec 8 |
Pick up Portfolios Submit projects: Common Reader Visual Arts Competition |
\ Additional course material is available through AC Online
11/30/-1 12:00 AM
11/30/-1 12:00 AM