Expressive Photography Syllabus for 2016-2017
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Instructor Information

Office Location

Parcells Hall 313B

Office Hours

TTH 315-415, or by appointment

Course Information

Recording Policy

Disability Statement

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As a student you may experience a range of issues that can cause barriers to learning, such as strained relationships, increased anxiety, alcohol/drug problems, feeling down, difficulty concentrating and/or lack of motivation. These mental health concerns or stressful events may lead to diminished academic performance or reduce a student's ability to participate in daily activities. Amarillo College offers services to assist you with addressing these and other concerns you may be experiencing. If you or someone you know are suffering from any of the aforementioned conditions, you can learn more about the broad range of confidential mental health services available on campus by calling the AC Counseling Center at 806-371-5900. The AC Counseling Center website is https://www.actx.edu/counseling/ . Also, if you are in need of social services (affordable housing, utilities, transportation, food, clothing, childcare, medical/dental/vision, legal), please call the AC Advocacy & Resource Center at 806-371-5439. The AC Advocacy & Resource Center website is https://www.actx.edu/arc

Amarillo College Tutoring for Success Policy:

Administrative Drop Policy

Students who do not attend class on or prior to the census date will be administratively dropped. Effective Fall, 2016

Student Withdrawal Procedures

Students who wish to withdraw from a class must:

  • consult with their instructor to obtain a signed academic withdrawal request form to submit to the AskAC department for processing
  • consult with the financial aid office if receiving financial aid
  • consult with the Veterans Benefit Coordinator if receiving veteran benefits
  • consult with their academic advisor to determine how withdrawing may affect their enrollment in future semesters
    • NOTE:  The Texas Education Code stipulates that students attending Texas institutions of higher education for the first time fall 2007 and later may not withdraw from more than six courses during their academic career, including courses from which transfer students have withdrawn at other Texas institutions of higher education. (Senate Bill 1231) Rule 4.10.

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Course

PHTC-1343-001 Expressive Photography

Prerequisites

Prerequisite: ARTS 2356 or instructor consent

Course Description

A study of formal, professional and individual uses of photography by applying photographic technology to personalized needs. Emphasis on creative visual thinking and problem solving and the exploration of personal vision.

Student Resources Student Resources Website

Department Expectations

Occupational License Disclaimer

Hours

(3 sem hrs; 2 lec, 4 lab)

Class Type

On Campus Course

Syllabus Information

Textbooks

Required Common Reader Hotel on the Corner of Bitter and Sweet, by Jamie Ford (AC will provide)

Supplies

Supplies will vary for each student depending on project needs, technical issues, and obsessions. Supplies are provided for demos and labs; however, students should expect to buy their own supplies for projects and further exploration.

Film and Photo Papers are sensitive to light and heat. Do not leave in the car on a hot day. Do not open photo papers except in the darkroom with safelights on. Do not tempt curious children by leaving light sensitive materials within reach.

For budgetary reasons students may need to order for each assignment, the number in parenthesis at the end of each item refers to the module on the syllabus. Students should order supplies two weeks in advance of the start of the module. Module 1 supplies (M1) need ordered immediately.

A basic supply kit is available at Freestyle: www.freestylephoto.biz/account/supply-lists/edit/63282

  • B/W, RC, Ilford multigrade, photo paper, glossy, 8x10",  minimum 25 sheets packages (M1-2)
  • B/W, fiber, Ilford multigrade photo paper, matte, 8x10",  25 sheets packages (M3)
  • TMAX 400 ISO, 120 roll film, 5 pack (M2)

A note about ink jet transparency : Students will definitely use this in Module 2, but may use it in module 1 and 3. Quality and price vary, the lower price/quality material is available through places like Office Depot, the higher quality, Pictorico is available on line at Freestyle, B&H, etc.

  • Ink jet transparency 8 1/2 x 11/20 sheets (M2 and possibly M1 and M3)
  • Pictorico Premium Inkjet OHP Transparency Film 8.5x11/20 sheets (M2 and possibly M1 and M3)

Available in AC Bookstore:

  • 1 ink cartridge for the 2880 Epson printers: half of the students will buy Photo Black T096120 and the other half will buy Yellow T096420 (M1,2,3)
  • Stonehenge Paper White, 22x30 inch sheets as needed - one sheet  can be cut into six, 8.5 x 11 pieces (M2 and M3)

Misc.

  • Holga camera (optional) (M2)
  • 1 1/2 or 2 inch hardware brush (optional) (M2 and M3)
  • These processes can be messy, students should bring a hand towel, and wear an apron or old t-shirt to protect clothing. (All)
  • Nitrile gloves to protect hands from chemistry (M2 and M3)

Other supplies may be suggested throughout the semester

Student Performance

Course Description:  A study of formal, professional, and individual uses of photography by applying photographic technology to personalized needs. Emphasis on creative visual thinking and problem solving and the exploration of personal vision. (WECM)

End-of-Course Outcomes:  Exhibit creative visual thinking; perform and execute photographic practices that include traditional and nontraditional procedures; and interpret various types of photographic imagery. (WECM)

Specific Course Outcomes:

Students will

  • Demonstrate knowledge of traditional and nontraditional darkroom procedures
  • Experiment with alternative methods of making and/or presenting photographic images
  • Analyze images for proper exposure and/or development
  • Develop concepts and strategies for expressing visual ideas through photographic techniques
  • Develop a personal style or theme of expressive photography
  • Present work for grading in a professional manner, as directed by the instructor
  • Participate meaningfully in critique
  • Maintain a professional and respectful attitude
  • Maintain classroom facilities and shared supplies

Students Rights and Responsibilities

Student Rights and Responsibilities

Log in using the AC Connect Portal

In order to receive your AC Connect Email, you must log in through AC Connect at https://acconnect.actx.edu .

If you are an active staff or faculty member according to Human Resources, use "Exchange". All other students, use "AC Connect (Google) Email".

Expected Student Behavior

Blackboard Online

The syllabus, assignment sheets, modules, and other documents are located on the Blackboard web page for this course. Students should contact AskAC with questions regarding log in. Students are responsible for downloading and printing documents as needed. Lecture comprehension and participation is greatly improved by reading the assigned material and reviewing assignment sheets before each lecture. There is a module associated with the section; students are required to read assigned materials, and watch videos at the start of each module. Grades are posted on a regular basis and should be reviewed by the student.

Attendance Policy

In order for students to complete this course successfully, it is necessary to attend the class and participate in demonstrations, discussions, and other activities scheduled each day. Because the instructor cannot possibly know the reason why a student missed class, there is no distinction between excused and unexcused absences. Material covered in class cannot be “made-up.” It is highly recommended that students get class notes, and demonstrations, from other students for any missed classes. In order to be fair to students that do attend classes, the instructor cannot provide private tutoring sessions to individual students who miss class. It is not necessary to contact the instructor regarding absences, or to ask permission. (Refer to “Attendance Policy” for more details)

Critique Policy

In order to provide each person with a thoughtful critique of their work, all other activities must stop once a critique begins, and students need to engage in the critique process. So that everyone feels comfortable expressing their ideas about images, students need to listen to each other and respect varying viewpoints. To ensure students are able to hear all comments about their work, refrain from private conversations and direct all comments to the group discussion. Student projects not completed by the start of critique are late. (Refer to “Late Work Policy” for details) In fairness to those who completed their projects on time, please set aside incomplete projects so as not to distract from the critique. Unfortunately, the course schedule does not allow time to provide late projects with a group critique; the instructor will assess late work on the appropriate grading rubric.

Email Policy

All students are assigned an email account by Amarillo College that can be accessed through Gmail. For correspondence with the instructor, please use rwest@actx.edu. The instructor, and Amarillo College, will use Gmail and AC Online for correspondence. For this reason, students are responsible for checking both on a regular basis.

Participation Policy

Students are expected to participate effectively in class discussions, labs, critiques, and activities during each class. Because student engagement plays a crucial role in learning, all students must attend every scheduled class. Students are allowed two absences without penalty. Three absences will result in a full letter grade deduction on the final grade for the course (an "A" becomes a "B"), at five absences there is a two letter grade deduction (an "A" becomes a "C"), and after 6 absences the student earns a failing grade in the course. Arriving late or leaving early (during lectures, demonstrations, and critiques) will count as one absence every third time.

Technology

Cell phones and unrelated computer use detract from the learning environment. The LED screens also fog paper in the darkrooms. Inappropriate use of technology during labs, lectures, and critiques will result in a five-point deduction from the next portfolio grade, per event.

 

Grading Criteria

Grading Criteria/Grade Scale

The course is graded on a 100 point scale and the percentages are as follows:

1st Portfolio - Pinhole                                                  20%                                         

2nd Portfolio - Holga and Cyanotype                            20%

3rd Portfolio - Common Reader Visual Art Response     20%

Lab Notes Worksheet (300 points)                               30%

In-Class Participation                                                  10%

 

Refer to handouts for the requirements on each assignment and the portfolios.

 

Grading Format / A-F 100-0 points

A = Excellent              (100-90)

B = Good                    (89-80)

C = Average                (79-70)

D = Weak                      (69-60)

F = Unacceptable            (59-0)

 

Grading Policy

Assessment of projects will be based on the following:

Visual Expression

Individual interpretation of assignment

Intentional compositional design

Explores the concept of photography as visual art

Technical Skills

Demonstrates knowledge of darkroom and camera operation

Presents technically well-crafted photographic in a professional manner

Demonstrates a willingness to experiment with new concepts

Displays an understanding of the concepts and techniques assigned

Professional Practices

Attends lectures, labs, and demonstrations

Participates in in-class activities, discussions, and critiques

Shows work in progress

Discusses ideas and asks questions while projects are in progress

Comes prepared for class, stays on task, and brings appropriate materials

Presents projects on time and meets the requirements of each assignment

 

Advanced Students Only

After successful completion of this course, students may repeat the course to further their research. The requirements differ from students taking the course for the first time in the following ways: Advanced students will do three portfolios that adhere to the critique schedule for the course. They will participate in all Common Reader components of the course – book club, final critique, and competition.  Instead of the Lab Notes they will conduct personal research on a related photo technique and present their research to the class. All research projects must be approved in advance by the instructor.

 

Advance students are graded with the following percentages as follows:

1st Portfolio                                                             20%                                         

2nd Portfolio                                                            20%

3rd Portfolio - Common Reader Visual Art Response   20%

Research and Presentation                                      30%

In-Class Participation                                            10%

Attendance

Attendance Policy

In order for students to complete this course successfully, it is necessary to attend the class and participate in demonstrations, discussions, and other activities scheduled each day. Because the instructor cannot possibly know the reason why a student missed class, there is no distinction between excused and unexcused absences. Material covered in class cannot be “made-up.” It is highly recommended that students get class notes, and demonstrations, from other students for any missed classes. In order to be fair to students that do attend classes, the instructor cannot provide private tutoring sessions to individual students who miss class. It is not necessary to contact the instructor regarding absences, or to ask permission. (Refer to “Participation Policy” for more details)

Participation Policy

Students are expected to participate effectively in class discussions, labs, critiques, and activities during each class. Because student engagement plays a crucial role in learning, all students must attend every scheduled class. Students are allowed two absences without penalty. Three absences will result in a full letter grade deduction on the final grade for the course (an "A" becomes a "B"), at five absences there is a two letter grade deduction (an "A" becomes a "C"), and after 6 absences the student earns a failing grade in the course. Arriving late or leaving early (during lectures, demonstrations, and critiques) will count as one absence every third time.

Calendar

Daily Schedule

This schedule is subject to change throughout the semester

 

 

Module 1

 

Lensless Expression

Aug 23

Introductions - Blackboard - Syllabus

 

Aug 25

1st portfolio and Lab Notes 1(technical section)

Pinhole / Fab 4

 

Aug 30

Building Cameras / Exposure / Darkroom

 

Sept 1

Show and Tell / Lab Notes / Pinhole work day

INK IS DUE

 

Sept 6

Book Club pages 1-36

Making enlargement / Shooting film and film development

Digital Negatives / Orange Masks / Stacking / Density Issues

 

Sept 8

Show and Tell / Lab Notes / Cliché Verre and Photograms

 

Sept 13

Book Club pages 37-77

Experimental Lab

 

Sept 15

Work in Progress critique

Show and Tell / Lab Notes

Sept 20

Book Club pages  78-109

Lab Day / Lab Notes 1 Due

 

Sept 22

1st Portfolio Critique

 

 

Module 2

 

Alternative Methods of Expression

Sept 27

Book Club pages 110-146

2nd Portfolio and Lab Notes 2 (technical section)

Holga cameras / Double Exposure / Continuous Exposure / Tricks

 

Sept 29

Show and Tell / Lab Notes

Contact sheets / Enlargements / Holga Lab

Fiber based printing

 

Oct 4

            

Book Club pages 147-185

Holga Lab

 

Oct 6

Show and Tell / Lab Notes

Bring enlarged negatives / Cyanotype Demo

 

Oct 11

Book Club pages 186-222

Lab

 

Oct 13

Common Reader Author – Jamie Ford on campus

 

Show and Tell / Lab Notes

Lab

 

Oct 17-23

Fall Break – No classes

 

Oct 25

Book Club pages 222-249

Lab

 

Oct 27

Show and Tell / Lab Notes 2 Due

Work in Progress Critique

 

Nov 1

Book Club pages 250-285

Lab

Nov 3

2nd Portfolio Critique

 

 

Module 3

 

Visual Expression

Nov 8

3rd Portfolio: Common Reader Visual Art Response

Common Reader Brainstorming Session

Mixed-media / transfers / bring photographs

 

Nov 10

Show and Tell / Lab Notes

 

Nov 15

Hand-coloring and spotting photographs (bring fiber base prints)

 

Nov 17

Show and Tell / Lab Notes

Advanced student presentations

Lab Day

 

Nov 22

Last day to withdraw from classes

Advanced student presentations

Lab Day

 

Nov 24

Thanksgiving Holiday

 

Nov 29

Advanced student presentations

Show and Tell / Lab Notes 3 Due

 

Dec 1

Work in Progress Critique

 

Dec 6

Common Reader Visual Response Critique

Advanced Students

 

Dec 8

Common Reader Visual Response Critique

Beginning Students

 

Dec 9

Mandatory Lab Clean Up Day 1 pm

All students must participate. Please plan accordingly.

 

Dec 13

Pick up Portfolios

Submit projects: Common Reader Visual Arts Competition

Dec 16

Commencement

Additional Information

Additional course material is available through AC Online

Syllabus Created on:

08/17/16 3:28 PM

Last Edited on:

08/17/16 3:40 PM