MB 306
TBD
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MUSI-2116-001 Advanced Ear-Training
Corequisite: MUSI 2211
Continuation of MUSI 1116 and 1117, extending into seventh- chords and modulations, chromaticism and contemporary idioms.
Student Resources Student Resources Website
The National Association of Schools of Music (NASM) and the Performing Arts Medicine Association (PAMA) have developed a comprehensive overview of neuromusculoskeletal, vocal and hearing health issues for postsecondary schools and departments of music. Information of a medical nature is provided by PAMA; information regarding contextual issues in music programs, by NASM. The following links address the risk of noise-induced hearing loss, neuromusculoskeletal and vocal injury—all of which are widespread and serious public health issues for musicians and others.
(1 sem hr; 1 lec, 2 lab)
On Campus Course
Rogers, Nancy and Robert Ottman: Music for Sight Singing. Prentice Hall, latest version.
Additional materials will be provided in class.
1. Manuscript paper
2. Pencils
3. Textbooks
4. Additional handouts provided in class
PREREQUISITE:
Must pass "Elementary Ear Training" with a C or better, or by consent of the music theory department.
COURSE DESCRIPTION:
Continuation of Elementary Ear Training (first year freshmen), extending into seventh-chords and modulations, chromaticism, and contemporary idioms. Concurrent enrollment in Advanced Theory.
STUDENT PERFORMANCE/LEARNING OUTCOMES:
The goal of this course is improve aural and notation skills in the areas of harmonic dictation, melodic dictation and sight singing with chromaticism, and rhythmic dictation in advanced simple and compound meters. Skills will be developed through singing, playing on piano, and notating examples.
After completion of the semester, the student will:
1. Identify and notate bass and soprano lines of a four part dictation, providing a chordal analysis (including inversions) after 4 hearings.
2. Sing and play on piano at sight 8-16 bar melodies that contain chromaticism from modal mixture and secondary dominants, and melodies with simple modulations.
3. Sing, play, and notate a melodic line with limited chromaticism of a 8-16 bar length after 3 hearings.
4. Clap and notate advanced simple and compound meters of a 8-16 bar length after 3 hearings.
5. Use music theory software in the music lab to enhance learning.
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1. Attend all classes
2. Practice concepts outside of class
3. Form learning groups with classmates and other students who have taken the class.
4. Use the computer software available and online resources to practice
1. You will have 3 major exams throughout the semester, each worth 50 points (35 points written portion and 15 points sight singing).
2. You will also have frequent quizzes to practice for the exams.
3. Five points will be subtracted from your point total for every unexcused absence from class.
4. You may be required to use the music lab to practice specific assignments.
You will have a final examination worth 50 points (written and sight singing portion combined) during finals week.
Regular attendance is necessary for satisfactory achievement. Therefore, it is the responsibility of the student to attend class. Students are required to contact the professor when they miss a class, and are responsible for the material covered in class.
Generally, Mondays will focus on sight-singing and reading at the piano, whereas Wednesdays will focus on listening and dictation.
August 22 / 24 - Diagnostics | Review: General
Aug 29 / 31 - Review: Diatonic progressions (triad-based) and melodies, with rhythmic challenge | Diatonic progressions, incl. all standard root position and 1st inversion
September 5 - LABOR DAY (no class)
Sept 7 - Review: Diatonic 7th chords, common inversions, and melodic implications
Sept 12 / 14 - V/V, V6/V, and common secondary dominants of other diatonic triads
Sept 19 / 21 - Melodies with applied harmonies implied; playing short progressions with applied harmonies | Recognizing and identifying V7/V, viio7/V, and common secondary dominant 7th and fully-diminished 7th chords of other diatonic triads
Sept 26 / 28 - REVIEW | EXAM 1
October 3 / 5 - Recognizing and producing Augmented 6th chords
Oct 10 / 12 - Modal borrowing; decorative chromaticism | Borrowed and Neapolitan chords
FALL BREAK
Oct 24 / 26 - REVIEW | EXAM 2
Oct 31 / November 2 - Simple vs. Compound meter | Extension of diatonic 7th chords and inversions
Nov 7 / 9 - “Irregular” meter | Extension of secondary dominant 7th and diminished 7th chords and inversions
Nov 14 / 16 - Syncopation | Extension of applied and borrowed harmonies, Neapolitan, and Augmented 6th chords
Nov 21 / 23 - REVIEW | EXAM 3
Nov 28 / 30 - Common chord modulation
December 5 / 7 - Other means of modulation
December 12-16 - FINAL EXAM, during AC assigned time
Software programs for ear training are available in the music lab, as well as online. Students are encouraged to seek additional sources to practice ear training concepts.
08/19/16 12:15 PM
01/13/17 12:49 PM