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Disability Services facilitates access to all programs and services according to the ADA, Americans with Disabilities Act and Section 504 of the Rehabilitation Act, as well as other federal and state laws.
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As a student you may experience a range of issues that can cause barriers to learning, such as strained relationships, increased anxiety, alcohol/drug problems, feeling down, difficulty concentrating and/or lack of motivation. These mental health concerns or stressful events may lead to diminished academic performance or reduce a student's ability to participate in daily activities. Amarillo College offers services to assist you with addressing these and other concerns you may be experiencing. If you or someone you know are suffering from any of the aforementioned conditions, you can learn more about the broad range of confidential mental health services available on campus by calling the AC Counseling Center at 806-371-5900. The AC Counseling Center website is https://www.actx.edu/counseling/ . Also, if you are in need of social services (affordable housing, utilities, transportation, food, clothing, childcare, medical/dental/vision, legal), please call the AC Advocacy & Resource Center at 806-371-5439. The AC Advocacy & Resource Center website is https://www.actx.edu/arc
Students who do not attend class on or prior to the census date will be administratively dropped. Effective Fall, 2016
Students who wish to withdraw from a class must:
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MUSI-1182-001 Piano Class II
For students with a limited keyboard background. Includes scales, chord progressions, technical studies, sightreading drill, short selections from solo literature.
Student Resources Student Resources Website
The National Association of Schools of Music (NASM) and the Performing Arts Medicine Association (PAMA) have developed a comprehensive overview of neuromusculoskeletal, vocal and hearing health issues for postsecondary schools and departments of music. Information of a medical nature is provided by PAMA; information regarding contextual issues in music programs, by NASM. The following links address the risk of noise-induced hearing loss, neuromusculoskeletal and vocal injury—all of which are widespread and serious public health issues for musicians and others.
(1 sem hr; 3 studio)
On Campus Course
Alfred's Group Piano for Adults, Book 1, 2nd edition, by Lancaster/Renfrow
3 ring binder, for handouts
pencil
textbooks
After studying the material presented in this course of study, the student will be able to do the following as evaluated by the faculty in the department/program:
1. Perform all major and minor scales and arpeggios, each hand alone, two octaves ascending and descending
2. Perform the chromatic scale, two octaves, hands together, in contrary motion
3. Perform at least two solo pieces of the level of difficulty of Unit 26 in the text
4. Sightread a rudimentary 8 measure piece of piano music
5. Harmonize a melody with seventh chords.
6. Demonstrate the 5 types of seventh chords on a given pitch
7. Accompany a melody with a basic two-hand harmonization
8. Improvise a melody in the right hand, and perform with left hand providing the harmony.
8. Develop a further understanding of basic music terminology
In order to receive your AC Connect Email, you must log in through AC Connect at https://acconnect.actx.edu .
If you are an active staff or faculty member according to Human Resources, use "Exchange". All other students, use "AC Connect (Google) Email".
To progress effectively and efficiently, you are expected to practice outside of class a minimum of 30 minutes to 45 minutes daily.
Regular daily practice throughout the semester, as opposed to last minute, “emergency” practice, is strongly emphasized.
Practice checklist:
• Schedule a regular daily piano practice time in your weekly schedule NOW!
• If you choose not to practice in the music building, look for a quiet and comfortable place where you can be ALONE and undisturbed during your practice time
• Don’t strain yourself. Check that you are relaxed and supple while you play. Stretch before and after practice
• Take a short break every half hour and stretch
• 20 minutes of focused practice are more productive than 2 hours of unfocused practice
• Have a pencil, your class notes and assignments with you when you practice
• Plan your practice before sitting down at the piano. Some pieces may need more attention than others.
• Conscious and purposeful repetition is the key to improvement
• Contact your instructor if you have questions or to get an assignment
• Contact your instructor if practicing hurts!
Based on performance on four playing exams given on material covered in Units 14 through 26 in the textbook, and a written exam at the end of the semester. Each exam will be worth 100 points for a total of 500. Final grade will be based on the following scale:
A = 90-100%
B = 80-89%
C = 70-79%
D = 60-69%
F = Below 60%
If a student misses an exam for an excused reason, it is the responsibility of the student to schedule a makeup exam with the instructor. If a student misses an exam for an unexcused reason, there will be no makeup.
FINAL EXAMINATIONS:
1) The fourth playing exam will be considered the final playing exam, and it is a proficiency. That means that a no-show for this exam is an automatic F for the class.
Regular attendance is required and necessary to meet the proficiency requirements of this course. Attendance will be taken at the beginning of class.
In order to receive attendance points, students must be in their seats, computers ready and textbook available.
Unexcused Absences will affect the final grade as follows:
3 absences – final grade lowered by one letter grade
4 absences – final grade lowered by two letter grades
5 or more absences– F and/or Instructor reserves the right to withdraw the student from the course.
Please notify the instructor if you need to miss the class. The instructor will determine if the absence is excused or unexcused.
Exams missed because of unexcused absences are not made up. Arrangements to take exams missed due to approved college functions (e.g. ensemble tours) should be made in advance. Exams missed due to illness will be made up only at the instructor’s discretion.
Regular attendance is required and necessary to meet the proficiency requirements of this course. Attendance will be taken at the beginning of class.
In order to receive attendance points, students must be in their seats, computers ready and textbook available.
Unexcused Absences will affect the final grade as follows:
3 absences – final grade lowered by one letter grade
4 absences – final grade lowered by two letter grades
5 or more absences– F and/or Instructor reserves the right to withdraw the student from the course.
Please notify the instructor if you need to miss the class. The instructor will determine if the absence is excused or unexcused.
Exams missed because of unexcused absences are not made up.
COURSE SYLLABUS AND PROJECTED SCHEDULE:
WEEK 1
Wednesday, 1/20/16
ASSIGNMENT FOR FRIDAY, 1/22/16
1. P. 73 Review major/minor pentachord exercise with minor/major triads at end, all keys, chromatically up from C to C
2. P. 124-126 Review scales/arpeggios of C,G,D,A,E Major. On p. 142, look at F & B (new)
3. p. 177 Dona Nobis Pacem
4. p. 181 Complete the Review Worksheet (1st page only)
5. Begin study and practice of Unit 14.
Friday, 1/22/16 ASSIGNMENT:
1. P. 73 Review major/minor pentachord exercise with minor/major triads at end, all keys, chromatically up from C to C
2. P. 142 Scales/arpeggios of F & B Major; p. 143 Gb and Db Major
3. p. 184 Study the 3 types of minor
4. P. 181 Little Fantasy Study
5. P. 194-195 Ensemble Repertoire. Learn at least 1 part.
6. p. 185 Complete the worksheet by writing in each scale
WEEK 2
Monday, 1/25/16 ASSIGNMENT:
1. P. 73 Review major/minor pentachord exercise with minor/major triads at end, all keys, chromatically up from C to C
2. P. 142 B & F Major; p. 143 Gb and Db Major
4. P. 191 Little Fantasy Study
5. P. 194-195 Ensemble Repertoire. Learn at least 1 part.
6. p. 196 Triads of the Key
7. p. 197 Technique
8. p. 199 A harmonic minor scale and arpeggio, hands together
9. Modes and Moods: Reveler's Dance, right hand alone, entire piece
Wednesday, 1/27/16 ASSIGNMENT:
1. P. 73 Review major/minor pentachord exercise with minor/major triads at end, all keys, chromatically up from C to C
2. P. 199-200 Harmonic minor scales/arpeggios of A, E, and D.
3. Bewildered (from handout)
4. p. 203 Harmonize
5. p. 206 Improvise
6. Modes and Moods: Reveler's Dance. Each hand alone.
Friday, 1/29/16 ASSIGNMENT:
1. p. 199-201 Harmonic minor scales/arpeggios of A, E, D, G & C
3. Bewildered (handout)
4. p. 203 Harmonization
5. P. 206 Improvisation
6. Modes and Moods: Reveler's Dance, hands alone; begin hands together
WEEK 3
Monday, 2/1/16 ASSIGNMENT:
1. P. 199-201 Harmonic minor scales/arpeggios of A, E, D, G, & C
2. Bewildered (from handout)
3. p. 210 Chord progression in minor
4. P. 211 Etude
5. Modes and Moods: Reveler's Dance, HANDS TOGETHER
Wednesday, 2/3/16 ASSIGNMENT:
1. P. 210 Chord Progressions in a, d, e, and a, with pedal
2. P. 204-207 Minor scales A, E, D, G, and C
3. P. 211 Etude
4. P. 216 Harmonization of #1 & #2
5. Modes and Moods: Reveler=s Dance, Hands Together
Friday, 2/5/16
ASSIGNMENT: ASSIGNMENT: PREPARE FOR EXAM NO. 1 ON WEDNESDAY, 2/10/16 AND FRIDAY, 2/12/16 (at least 3 items must be completed on 2/10/16)
EXAM #1
1. P. 210 Chord progression in A, D, E & A minor, hands together 10 pts
2. P. 199-201, 223 Minor scales/arpeggios of A, E, D, G, C, B & F, alone 20 pts
3. P. 216-217 Harmonize your choice of 1, 2, 3, or 4 20 pts
4. One repertoire piece: Etude (p. 211) or Bewildered (handout) 20 pts
5. p. 229 Improvise # 1 in F minor 10 pts
6. Reveler’s Dance (Modes and Moods) 20 pts
WEEK 4
Monday, 2/8/16
Practice for exam No. 1; take any or all parts early if ready.
Wednesday, 2/10/16
EXAM NO. 1, part I (at least 3 items must be completed by the end of today’s class)
Friday, 2/12/16
EXAM NO. 1, part II (entire exam must be completed today)
WEEK 5
Monday, 2/15/16 ASSIGNMENT:
1. P. 230 Triads of the Key
2. P. 231-232 Bb, Eb, and Ab Major scales/arpeggios
3. P. 233 Technique
4. Modes and Moods: Lydian Nocturne, each hand alone to ms. 10
Wednesday, 2/17/16 ASSIGNMENT:
1. p. 230 Triads of the Key
2. p. 231-232 Bb, Eb, and Ab Major scales/arpeggios
3. p. 233 Technique
4. p. 236 Harmonize # 1 and #2
5. p. 238 Dance
6. Lydian Nocturne, L. H. add pedal. Add to ms. 18, hands alone
Friday, 2/29/16 ASSIGNMENT:
1. p. 230 Triads of the Key
2. p. 231-232 Bb, Eb, and Ab Major scales/arpeggios
3. p. 233 Technique
4. p. 237 Harmonize #3 and #4
5. p. 238 Dance
6. Lydian Nocturne, hands alone to end
WEEK 6
Monday, 2/22/16 ASSIGNMENT:
1. p. 231-232 Bb, Eb, and Ab Major scales/arpeggios
2. p. 241-242 ii chord, and progressions
3. p. 249 #4 Harmonize
4. p. 250 2 handed accompaniment
5. Lydian Nocturne, hands together, entire piece
Wednesday, 2/24/16 ASSIGNMENT:
Prepare for Exam No. 2 on Monday, February 29, and Wednesday, March 2:
1. p. 231-232 Bb, Eb, and Ab Major scales/arpeggios 20 pts
2. p. 253, Chord Progression in middle of page, in C, G and F 20 pts
3. P. 250-251 Harmonize 1, 2, or 3, your choice 20 pts
4. Lydian Nocturne 25 pts
5. Sightreading 15 pts
Friday, 2/26/16 PRACTICE DAY
ASSIGNMENT:
Prepare for Exam No. 2 on Monday, February 29, and Wednesday, March 2
WEEK 7
Monday, 2/29/16
EXAM NO. 2, part I (at least 3 items must be completed by the end of class today)
Wednesday, 3/2/16
EXAM NO. 2, part II (remaining items must be completed by the end of class today)
Friday, 3/4/16 ASSIGNMENT:
1. P. 316 Chord progression in all keys, up chromatically
2. p. 262, top of page: Chord progression in C major only
3. p. 263 Read the Etude, hands alone
4. p. 266 Practice the chords for Reuben, Rachel
5. Choose final exam/recital piece (memorized) for end of semester. Should be chosen by Wednesday, March 11. Possibilities include:
p. 325-346 Any piece in the Supplementary Solo Repertoire section
p. 290 Full Moon Rising, by Dennis Alexander
p. 298 Chromatic Rag, by Willard A. Palmer
p. 317 Eccosaise, by Beethoven
Modes and Moods: Any piece, including ones already studied in class.
You may also choose a piece not in the text; it must be approved by Dr. Rauscher.
WEEK 8
Monday, 3/7/16 ASSIGNMENT:
1. P. 316 Chord progression in all keys, up chromatically
2. p. 269 Practice improvising on #1
3. p. 271 Learn Primo Part of Dance, hands together
4. Choose final exam/recital piece (memorized) for end of semester. Should be chosen by Friday, March 11
Wednesday, 3/9/16 ASSIGNMENT:
1. Review all scales and arpeggios learned thus far:
p. 124-126 (C,G,D,A,E Major), p. 142-143 (F, B, Gb, and Db Major), p. 199-201 (a,e,d,g,c minor), p. 223 (B and F minor), and p. 231-232 (Bb, Eb, and Ab Major)
2. p. 316 Chord progression in all keys, up chromatically
3. Work on final exam solo piece that you have chosen.
Friday, 3/11/16: NO CLASS
ASSIGNMENT:
1. Review all scales and arpeggios learned thus far:
p. 124-126 (C,G,D,A,E Major), p. 142-143 (F, B, Gb, and Db Major), p. 199-201 (a,e,d,g,c minor), p. 223 (B and F minor), and p. 231-232 (Bb, Eb, and Ab Major)
2. p. 316 Chord progression in all keys, up chromatically
3. Work on final exam solo piece that you have chosen.
SPRING BREAK: MARCH 14-18, 2016
WEEK 9
Monday, 3/21/16 ASSIGNMENT:
1. p. 273-274: F#, C#, and G# minor scales
2. p. 276-277 Theme from the Moonlight Sonata
3. P. 316 Chord progression in all keys, up chromatically
4. p. 281-282 Complete the worksheet, to be checked on Wednesday.
5. Practice final exam/recital piece. Must be memorized by 4/22/15
Wednesday 3/23/16 ASSIGNMENT:
1. p. 273-275: F#, C#, G# , Bb, and Eb minor scales
2. p. 276-277 Theme from the Moonlight Sonata
3. P. 316 Chord progression in all keys, up chromatically
4. p. 280 Harmonization of #1
5. P. 346 Prelude No. 1
6. Practice final exam/recital piece. Must be memorized by 4/22/15
Friday 3/27/15 NO CLASS (EASTER BREAK)
WEEK 10
Monday, 3/28/16
ASSIGNMENT: PREPARE FOR QUIZ NO. 3 ON Monday, 4/4/16 and Wednesday, 4/6/16
1. P. 273-275 Harmonic minor scales and arpeggios on black keys 20 pts
2. P. 276 Theme from Moonlight Sonata OR
P. 346 Prelude No. 1 by Catherine Rollin (student’s choice 25 pts
3. P. 280 Harmonize and transpose No. 1 to given key 20 pts
4. p. 316 Chord progression in all keys, up chromatically 20 pts
5. Sightreading 15 pts
Wednesday, 3/30/16: Prepare for Exam No. 3, early test-taking
Friday, 4/1/16: Prepare for Quiz No. 3, early test-taking
WEEK 11
Monday, 4/4/16
EXAM NO. 3, part I (at least 3 items must be completed by the end of class today)
Wednesday, 4/6/16
EXAM NO. 3, part II (at least 3 items must be completed by the end of class today)
Friday, 4/8/16 ASSIGNMENT:
1. p. 287 Playing 5 types of seventh chords
2. p. 289 Learn to play No. 1 perfectly
3. p. 290 Full Moon Rising
4. Practice final exam/recital piece. Must be memorized by 4/20/16
WEEK 12
Monday, 4/11/16 ASSIGNMENT:
1. p. 287 Playing 5 types of seventh chords
2. p. 288 Study and play the inversions of seventh chords
3. p. 290-291 Full Moon Rising
4. p. 292 Harmonize No. 1
5. Practice final exam/recital piece. Must be memorized by 4/20/16
Wednesday, 4/13/16 ASSIGNMENT:
1. p. 287 Playing 5 types of seventh chords
2. p. 288 Inversion of seventh chords
3. p. 290-291 Full Moon Rising
4. p. 292 Harmonize No. 2
5. p. 295 Improvise No. 1 several times
6. Practice final exam/recital piece. Must be memorized by 4/20/16
Friday, 4/15/16 ASSIGNMENT:
1. p. 287 5 Types of seventh chords, all keys
2. p. 293 Harmonize No. 3 and Harmonize The Moldau, 2 handed accompaniment
3. p. 295 Improvise No. 2
4. p. 297 Practice the chromatic scale, two octaves out and back in
5. p. 298 The Chromatic Rag, Right Hand only
6. Practice final exam/recital piece. Must be memorized by 4/20/16
WEEK 13
Monday, 4/18/16
1. Review the following scales/arpeggios, hands alone:
p. 142-143 F, B Gb and Db Major
p. 223 F and B minor
p. 273-274 F# and C# minor
2. p. 287 5 types of seventh chords, all keys
3. p. 297 The chromatic scales, two octaves out and in
4. p. 321 Harmonize No. 3, hands alone, and then together
5. Practice final exam/recital piece. MUST BE MEMORIZED BY NEXT CLASS SESSION (WEDNESDAY, 4/20/16).
Wednesday, 4/20/16
ASSIGNMENT:
1. Review the following scales/arpeggios, hands alone:
p. 142-143 F, B Gb and Db Major
p. 223 F and B minor
p. 273-274 F# and C# minor
2. p. 287 5 types of seventh chords, all keys
3. p. 297 The chromatic scales, two octaves out and in
4. p. 321 Harmonize No. 3, hands together
5. p. 321 Still, Still, Still
6. p. 322 Improvise No. 1 several times.
7. Practice memorized final exam/recital piece.
Friday, 4/22/16
NO CLASS ASSIGNMENT: same as Wednesday, 4/20/16
WEEK 14
Monday, 4/25/16
ASSIGNMENT: Prepare for final playing exam.
PART I ON Friday, 4/29/16 AND PART II ON Friday, 5/6/16
1. Selected major/minor scales/arpeggios, hands alone: 20 pts
p. 142-143 F, B Gb and Db Major
p. 223 F and B minor
p. 273-274 F# and C# minor
2. P. 297 Chromatic Scale, hands together, TWO octaves 10 pts
3. P. 287 5 types of Seventh Chords, starting on any pitch 10 pts
4. P. 321 Harmonization of #3 (top part of page) 10 pts
5. P. 321 Harmonization of Still, Still, Still 10 pts
6. p. 322 Improvise No. 1, hands together 10 pts
7. Memorized Recital Piece 20 pts
8. Sightreading 10 pts
Wednesday, 4/27/16
Practice for final exam
Friday 4/29/16
FINAL EXAM, part 1: AT LEAST 4 ITEMS MUST BE COMPLETED TODAY
WEEK 15
Monday 5/2/16
FINAL WRITTEN EXAM
Wednesday 5/4/16
RECITAL DAY!!! PLAN TO PERFORM YOUR REPERTOIRE PIECE FOR THE CLASS, IN THE CHOIR ROOM. THIS WILL BE A PASS/FAIL SITUATION: PLAY AND YOU PASS, SKIP OUT AND YOU FAIL!!!
Friday 5/6/16
FINAL PLAYING EXAM, PART II. EXAM MUST BE COMPLETED TODAY.
YOU MAY TAKE YOUR FINAL PLAYING EXAM, OR INDIVIDUAL SECTIONS OF IT, ANYTIME BEGINNING APRIL 25. ALL SECTIONS MUST BE FINISHED BY FRIDAY, MAY 6, 2016.
ABOUT PRACTICE:
Your improvement in playing the piano is directly linked to the amount of CONCENTRATED effort you put into your practice on a daily basis. Every person is different; however, you should plan to practice at least 30 to 60 minutes between each class period. The more you improve, the more you will enjoy, and the more you will want to practice!
As a student you may experience a range of issues that can cause barriers to learning, such as strained relationships, increased anxiety, alcohol/drug problems, feeling down, difficulty concentrating and/or lack of motivation. These mental health concerns or stressful events may lead to diminished academic performance or reduce a student’s ability to participate in daily activities. Amarillo College offers services to assist you with addressing these and other concerns you may be experiencing. If you or someone you know are suffering from any of the aforementioned conditions, you can learn more about the broad range of confidential mental health services available on campus by calling the AC Counseling Center at 806-371-5191. The AC Counseling Center website is https://www.actx.edu/counseling/. Also, if you are in need of social services (affordable housing, utilities, transportation, food, clothing, childcare, medical/dental/vision, legal), please call the AC Social Services program at 806-371-5439. The AC Social Services program website is https://www.actx.edu/socialservices/.
Information on Protecting your Hearing Health can be found at: https://nasm.arts-accredit.org/publications/brochures-advisories/nasm-pama-hearing-health/
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