MB 306
TBD
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MUSI-2211-001 Advanced Theory
Corequisite: 2116
Advanced harmony part writing and keyboard analysis and writing of more advanced tonal harmony including chromaticism and extended tertian structures. Introduction to the 20th century compositional procedures and survey of the traditional large forms of composition. Correlated study at the keyboard.
Student Resources Student Resources Website
The National Association of Schools of Music (NASM) and the Performing Arts Medicine Association (PAMA) have developed a comprehensive overview of neuromusculoskeletal, vocal and hearing health issues for postsecondary schools and departments of music. Information of a medical nature is provided by PAMA; information regarding contextual issues in music programs, by NASM. The following links address the risk of noise-induced hearing loss, neuromusculoskeletal and vocal injury—all of which are widespread and serious public health issues for musicians and others.
Notice to Students enrolled in an educational program for preparation of issuance of certain occupational licenses:
Students enrolled in an educational program in preparation for obtaining certain occupational licenses are potentially ineligible for such license if the student has been convicted of an offense. For further information, please contact your advisor, the Legal Clinic, or the faculty member in charge of the educational program that you seek to enroll in. The further information you will receive will include notification to you of your right to request a criminal history evaluation letter from the licensing authority in order to clarify your particular situation.
(2 sem hrs; 2 lec, 1 lab)
On Campus Course
REQUIRED TEXTBOOK: Spencer, Peter and Bennett, Barbara. The Practice of Harmony, 6th Edition. Prentice Hall, 2011:ISBN-10: 0205717195 ISBN-13: 9780205717194
NECESSARY TOOLS: A brain that can focus, synthesize, learn, and recall information in regards to music theory; pencils/writing utensils, staff paper, notebook paper/note-taking apparatus, and a strong work ethic.
COURSE DESCRIPTION: Continuation of music theory principles taught in elementary theory (freshman theory), with an emphasis on common practice harmonic language, musical form, chromatic harmonies, and style characteristics of the Baroque period through the Twentieth Century.
STUDENT PERFORMANCE/LEARNING OUTCOMES: After studying the materials presented in this course of study, the student should be able to do the following:
A. Be able to identify keys, tonality and/or modality by understanding the function of various notes and chords.
B. Be able to identify harmonic treatment in the historical time periods from the Classical period to the Twentieth Century.
C. Gain an understanding of chromatic chords, including Neapolitan 6ths, Augmented 6ths, and altered dominants.
D. Gain an understanding of extended diatonic chords, including 9th, 11th, and 13th chords.
E. Be able to identify and understand the construction of the following musical forms: sonata-allegro, rondo, sonata-rondo, and variation.
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Students will be courteous, professional, and respectful when addressing a Professor/Instructor as well as his or her peers.
The use of cell phones during class time will NOT be permitted under any circumstances. Likewise, laptop computers and other personal devices should be used only as would generally be considered beneficial to learning and study, with recreational and social use falling well outside these constructs unless specifically allowed by the instructor. The instructor reserves the right to confiscate any device, electronic or otherwise, should it prove to be a distraction to the student or class in general, and a repeated offense will result in an automatic failing grade for the course.
Students will submit all assignments at the start of the class period on the date due. The Instructor reserves the right to lower (at a rate of one letter grade per 24 hour period) the grade of any assignment turned in late. “My computer crashed” is not an acceptable excuse. Nearly all such “emergencies” can be avoided by planning ahead, starting, and completing work well in advance of the posted due date. Any request for extension on the due-date of an assignment must be submitted in writing 48 hours in advance of the date in question.
GRADING CRITERIA/GRADE SCALE:
Syllabus Quiz 5%
Mid-Term Exam 25%
Final Exam 25%
Research Project 15%
Class Presentation 10%
Class Preparation, Participation, and Quizzes 20%
Attendance is addressed below and will significantly impact grade. Grade deductions will be applied after all other credit has been calculated.
Homework is required for in-class discussions. If homework is not completed on a daily basis, the instructor reserves the right to lower the student’s final grade.
Final Grade is based on the following scale:
A= 90-100%
B= 80-89%
C= 70-79%
D= 60-69%
F= Below 60%
ATTENDANCE POLICY: Regular attendance is necessary for satisfactory achievement; therefore, it is the responsibility of the student to attend class. Any request for excused absence (subject to approval of instructor) must be made at least 48 hours IN ADVANCE of the class period missed, and must include proper written documentation for consideration of the excuse in question (legal documentation confirming absence, such as doctor’s note, court order, funeral program, etc. should be provided at the following class meeting). You will be responsible for completing any in-class assignments IN ADVANCE of the class period missed. NO MORE THAN TWO EXCUSED ABSENCES WILL BE ALLOWED without penalty (unless there is a documented emergency, which will be dealt with on an individual basis).
Unexcused absences, being late to class, and leaving class early will not be tolerated and will lower your grade. A minimum subtraction of 1/3 of a letter grade will be deducted for all unexcused absences. After 6 infractions, the instructor reserves the right to fail the student.
Students are expected to figure the final examination time for this class into their respective schedules. You are responsible for that time and should treat it as any other class period (prompt and full attendance). Plan ahead and accordingly.
All College-related trips must have prior notification sent by the trip’s College Representative (the Professor in most cases), at least one week in advance (7 days). If this is not done, an unexcused absence will be entered into the grading scheme.
August 22, 2017 - Distribute syllabus and take-home quiz, check roster, take assessment examination, begin Freshman Theory review.
Aug 24 - Review of Freshman Theory
Aug 29 - Secondary Dominants
Aug 31 - Secondary Dominants, cont'd
September 5 - Secondary Diminished Seventh Chords
Sep 7 - Secondary Diminished Seventh Chords, cont'd
Sep 12 - The Elements of Counterpoint, with Intro to Pedal Point
Sep 14 - Late Renaissance Polyphony
Sep 19 - Borrowed Chords (Mode Mixture)
Sep 21 - Borrowed Chords (Mode Mixture), cont'd
Sep 26 - The Neopolitan
Sep 28 - The Baroque Fugue
October 3 - Mid-term Review
Oct 5 - MID-TERM EXAM
Oct 10 - Augmented 6th Chords
Oct 12 - Augmented 6th Chords, cont'd // Project Proposal Due at the start of class
FALL BREAK
Oct 24 - "A Short Guide to Research"
Oct 26 - The Elements of Classical Form and Development
Oct 31 - Variation Technique, and Theme and Var's form
Nov 2 - Rondo form
Nov 7 - Sonata form
Nov 9 - Sonata form, cont'd
Nov 14 - Common chord modulation
Nov 16 - Common chord modulation, cont'd
Nov 21 - Abrupt and Enharmonic modulation // Term Paper Due at the start of class
Nov 24 - THANKSGIVING (no class)
Nov 28 - Abrupt and Enharmonic modulation, cont'd
Nov 30 - Term Review
[ Individual project meetings scheduled outside of class as needed. ]
December 5 - Class Presentations
Dec 7 - Class Presentations, and Final Review
Dec 14 - Final Exam, during AC assigned time (Thurs, 9:00am-11:00am)
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This course outline is a rough estimate for the material in this semester’s course. The Instructor reserves the right to alter this course outline in order to best facilitate the course. |
REQUIRED EXAMINATIONS: There will be two major exams (Mid-Term and Final Exam) and occasional quizzes. The Final Exam will be held on the day and time found in the Amarillo College schedule of classes and will be comprehensive, as Music Theory builds on itself.
RESEARCH PROJECT: Students will be required to write a 10-page (minimum, not including title page, internal quotes, pictures, or a bibliography, all of which are also required) paper and a full analysis (both Formal and Harmonic analyses, as well as Strophic analysis if words are used) of a composition related to the student’s performance field and taken from one of the time periods covered in class. In addition to the paper and corresponding analysis, a PowerPoint Presentation and at least 2 excellent recordings should also be provided, all of which will be submitted electronically to the Instructor. The paper will be submitted in both .doc(x) and .pdf file format, according to the following specifications:
- 12 point, Times New Roman font, double spaced
- 1 inch margins
- All pages numbered
- Either Chicago or MLA formatting for citations and bibliography. BE CONSISTENT.
- No deviations from this formatting are allowed, and failure to adhere to these instructions will result in an automatic loss of one letter grade per item.
Prior to beginning analysis and writing the paper, two typed/printed copies of a topic proposal (1 or 2 paragraphs) and preliminary bibliography (at least 5 significant sources) should be brought to class for signed Instructor approval. This proposal should follow the formatting guidelines listed above.
Near the end of term, an oral presentation on the work will be presented in class, with a PowerPoint Presentation, peer handout, thorough analysis, and recordings of the work presented. Class presentations will be scheduled during the course of the semester. At the presentation, the student will provide a full copy (both digital and hard-copy) of all material (Paper, Analysis, PPP, etc.) to the instructor for grading, and will supply an analyzed score and handout for all the other students in the course.
The students must have all needed files for presentations on an easily accessible drive/format (e.g. - CD, DVD, Thumb/Jump/USB drive). Downloading files from the Internet during the presentation time, and/or expecting the class computer to be able to read your iPod/iPhone is unacceptable. Be overly prepared for this presentation! Using YouTube, or other online accessible files, is prohibited during the presentation.
At least one individual meeting will be scheduled to discuss the student’s research project and presentation preparations. All project material (Paper, Handout, PowerPoint Presentation, Analysis) must be submitted by the due date. If a deadline is missed, the Professor reserves the right to cancel any individual meetings with the student and not allow the student to present their project to the class. Any material that is not complete will be construed as not being turned in, and an “F” will be entered for this grade.
It is the responsibility of the student to thoroughly research and understand both plagiarism and collusionary plagiarism. Proper documentation and internal references are required. Please choose one of the following styles and adhere to the rules of the chosen style: MLA or Chicago Manual of Style. No Internet sources may be used as references, unless the instructor approves the site in advance. Only ask about viable/credible Internet sources.
ACADEMIC INTEGRITY: Plagiarism and/or cheating on any level will not be tolerated (you will fail). Textbooks or notes cannot be used for examinations, and all work submitted is given to the Instructor with the assertion that the work (research, etc.) was completed by the student herself or himself. Please always ask if you are at all unclear regarding proper use of information or resources in a given situation. We are here to help each other, but stealing another’s ideas is absolutely unacceptable and will be dealt with accordingly.
QUESTIONS: This syllabus is only an outline of the course of study. If you should have any questions regarding any of the topics mentioned above, I will be happy to discuss them with you. No question is unimportant, and I look forward to working with you. Have a great semester!
DISCLAIMER: The instructor reserves the right to alter the syllabus based on the instructor's continuing evaluation of the course and class progress. Students will be alerted to changes made.
08/19/17 6:28 PM
08/21/17 8:42 AM