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PHTC-1313-001 History of Photography
Prerequisite: ARTS 2356
A historical survey of the technical and aesthetic development of photography. Topics include the beginnings of the medium, inventors, development of photographic equipment, styles of the creative masters, aesthetic themes and the social impact of photography.
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Notice to Students enrolled in an educational program for preparation of issuance of certain occupational licenses:
Students enrolled in an educational program in preparation for obtaining certain occupational licenses are potentially ineligible for such license if the student has been convicted of an offense. For further information, please contact:
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Justice Involved Advocate
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mgraves24@actx.edu
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Make appointment at https://melodiegraves.youcanbook.me
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(3 sem hrs; 3 lec, 1 lab)
Hybrid
Disappearing Witness: Change in Twentieth-Century American Photography
By Gretchen Garner
1) 25 sheet 8x10 pack of darkroom paper: suggested brand - Ilford, RC, Multigrade, glossy surface
1 Epson SureColor P600 Wide Format Inkjet Printer
Film for Visual Response format will vary for each project
Depending on projects, other supplies may be needed
Course Description: A historical survey of the technical and aesthetic development of photography. Topics include the beginnings of the medium, inventors, development of photographic equipment, styles of the creative masters, aesthetic themes, and the social impact of photography. (WECM)
End-of-Course Outcomes: Describe the aesthetic and technical evolution of photography; distinguish and identify historic and contemporary image makers; and perform research on a photography or historic theme. (WECM)
Specific Student Outcomes:
Students will
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If you are an active staff or faculty member according to Human Resources, use "Exchange". All other students, use "AC Connect (Google) Email".
General
AC Connect (Blackboard) Online
The syllabus, assignment sheets, modules, and other documents are located on the AC Connect (Blackboard) website for this course. Students should contact AskAC with questions regarding log in. Students are responsible for downloading and printing documents as needed. Lecture comprehension and participation is greatly improved by reading the assigned material and reviewing assignment sheets before each lecture. Each week there is a module associated with the lecture; students are required to read assigned materials, watch videos, finish activities, and take the quizzes, etc. in each module. Grades are posted on a regular basis and should be reviewed by the student.
Attendance and Participation Policy
In order for students to complete this course successfully, it is necessary to attend the class and participate in exercises, discussions, and other activities scheduled each day. Because the instructor cannot possibly know the reason why a student missed class, there is no distinction between excused and unexcused absences. Material covered in class cannot be “made-up” and students should expect to do poorly on test questions and exercises related to topics discussed on missed days. It is recommended that students get class notes from other students for any missed classes. In order to be fair to students that do attend classes, the instructor cannot copy course notes or provide private tutoring sessions to individual students who miss class. It is not necessary to contact the instructor regarding absences, or to ask permission. Points will also be deducted for non-participation in the online components of the course. Deductions for attendance will be posted at mid-term and finals.
Copyright Notice
Students must be aware and responsible for the Copyright Notice for the course: The materials on this course website are only for the use of students enrolled in this course for the purposes associated with this course and may not be retained or further disseminated.
Critique Policy
In order to provide each person with a thoughtful critique of their work, all other activities must stop once a critique begins, and students need to engage in the critique process. So that everyone feels comfortable expressing their ideas about images, students need to listen to each other and respect varying viewpoints. To ensure students are able to hear all comments about their work, refrain from private conversations and direct all comments to the group discussion. Student projects not completed by the start of critique are late. (Refer to “Late Work Policy” for details) In fairness to those who completed their projects on time, please set aside incomplete projects so as not to distract from the critique. Unfortunately, the course schedule does not allow time to provide late projects with a group critique; the instructor will assess late work on the appropriate grading rubric.
Discussion Board Policy
A major part of the hybrid aspect of the course is for students to participate in an active discussion about the history of photography. There are two discussion boards each week. The first is Hot Topics which is a prompt related to the lecture for that week. The other discussion board is related to the research paper and designed to engage students throughout the semester in thinking about and working on their research paper. Students will post early in the week, and then reply to other posts throughout the week. See Discussion Board Info and Guidelines in AC Connect for specific details.
Email Policy
All students are assigned an email account by Amarillo College that can be accessed through
Gmail. For correspondence with the instructor, please use rwest@actx.edu. The instructor, and Amarillo College, will use the AC student Gmail accounts and AC Online for correspondence with students. For this reason, students are responsible for checking these accounts on a regular basis, and may want to forward email to their personal addresses.
Technology
Cell phones and unrelated computer use detract from the learning environment. The following are examples of inappropriate use of technology during lectures, demonstrations, and critiques: checking email, texting, social network sites, making photographs during lecture, headphones, working on projects unrelated to class, etc.
Coursework & Exams
Discussion Board Policy This is a hybrid course that meets once a week, discussion boards are the driving force of the on-line component for learning. Students must actively participate in the weekly conversation about photography that occurs in the modules available through AC Connect (Blackboard). Each discussion board is active for only two weeks, which allows the online conversation to stay on topic with other course content. The two lowest discussion board grades are dropped.
Exam Policy Each module has a quiz at the end of the section that covers materials from the module. Quizzes are available on AC Connect (Blackboard). Weekly On-line Modules for the course open at 9 am on Monday mornings, and close at 11pm on Sunday evenings. Each module is open 14 days. All exams and quizzes follow this schedule, except the final exam. The two lowest quiz scores are dropped.
Homework Policy Although some open lab time is scheduled during class, successful completion of this course will require work outside of class. To receive full credit for projects students must have exercises and portfolios completed at the start of class on the scheduled due date.
Late Work Policy Projects considered on time will be ready for presentation at the beginning of class on the scheduled due date. In fairness to students who finish projects on time there are penalties for late projects. Late projects submitted within one week of the critique date receive a 20-point deduction off the project grade and for projects submitted within two weeks there is a 30-point deduction. Projects not submitted within two weeks will not be accepted, and a zero will be recorded in the grade book for this assignment.
Make-up Exam Policy Tests (quizzes and exams) are available online during the module. In order to be fair to students who take the test as scheduled, failure to take tests by 11 pm on day of the exam will result in a zero for that test score. Since there are two opportunities to take the test during each module, there will be no other dates scheduled.
Department
Photography Policy Throughout the study of photography, students must make new photographs for each assignment; this ensures that students are using their cameras on a regular basis and refining their visual thinking and technical skills. Submitting old photographs or photographs used as an assignment in another class will earn a zero for the project. Appropriation of images, regardless of the source, is plagiarism (refer to Plagiarism Policy).
Plagiarism Policy It is crucial for students not to pass off the ideas or words of another as their own, to do so is considered theft and will be treated accordingly. When paraphrasing or quoting another source always use parenthetical citation to credit the source, and include all websites and/or books reviewed in the bibliography. In fairness to other students who worked hard on their essays and photographic projects, students caught plagiarizing will earn a zero for the project and may be subject to additional disciplinary actions by Amarillo College.
Grading Format / A-F 1000-0 points (100-0%)
A = Excellent (1000-900) 100-90%
B = Good (899-800) 89-80%
C = Adequate (799-700) 79-70%
D = Weak (699-600) 69-60%
F = Unacceptable (599-0) 59-0%
Grading Criteria/Grade Scale
The course is graded on a 100 point scale and the percentages are as follows:
Lab Projects (5 points each, 5%) 150 points, 15%
Research Paper 200 points, 20%
Discussion Boards 150 points, 15%
Visual Response 200 points, 20%
Quizzes & Exams 150 points, 15%
Each quiz is 10 points (12 quizzes) Final exam is 30 points)
In Class Participation 150 points, 15%
Refer to handouts for the requirements of each assignment.
Grading Policy
Assessment is based on the following:
In order for students to complete this course successfully, it is necessary to attend the class and participate in the daily activities. Material covered during class, and in-class activities cannot be “made-up” and students should expect to do poorly on test questions and assignments related to topics discussed on missed days. It is the student's responsibility to get class notes from another student for any missed classes. In order to be fair to students that do attend classes, the instructor cannot provide private tutoring sessions to individual students who miss class. Because the instructor cannot possibly know the reason why a student missed class, there is no distinction between excused and unexcused absences. Because student engagement plays a crucial role in learning, all students must attend every scheduled class. Each missed class reduces the Activities and Participation grade by 25 points, up to 150 points and/or 15% of the overall grade. Arriving late to class, or leaving early, reduces the Activities and Participation grade by 5 points. If students do not miss more than 3 classes (-75 points) the deduction will be waived at the end of the semester. Points will also be deducted for non-participation in the online components of the course. Deductions for attendance will be posted at mid-term and finals.
This schedule is subject to change throughout the semester.
|
Week 1 |
Getting Started - Blackboard / Library / Resources / Taking Notes Camera Obscura - Discussion Boards |
|
Week 2 |
Module1: Inventions & Advancements / Chapter 1&2 / Discussion Boards - Quiz LAB 1 SALT PRINTS - Salting the Paper |
|
Week 3 |
Module 2: Early Fine Art / Chapter 1&2 / Discussion Boards - Quiz LAB 1 SALT PRINTS - Sensitizing and exposing the paper, making photograms |
|
Week 4 |
Module 3: Turn of the Century Trends / Chapters 1&2 / Discussion Boards - Quiz LAB 1 Exposing photograms |
|
Week 5 |
Module 4: Art Movements in Europe / Chapter 3 / Discussion Boards - Quiz LAB 1 SALT PRINT DUE - 1) 5x7 photogram due |
|
Week 6 |
Module 5: Color Photography / Discussion Boards - Quiz LAB 2 PHOTOMONTAGE - Hannah Hoch's Imaginary Creatures |
|
Week 7 |
Module 6: Documentary and Journalism / Chapter 4 / Discussion Boards - Quiz LAB 2 PHOTOMONTAGE - Bring finished photomontages for re-photographing and film development |
|
Week 8 |
Module 7: Magazines and Fashion / Chapter 5 / Discussion Boards - Quiz LAB 2 PHOTOMONTAGE - Darkroom: enlargements, contrast, d&b |
|
Week 9 |
Spring Break |
|
Week 10 |
Module 8: Spirit & New Paradigms / Chapters 6&7 / Discussion Boards - Quiz LAB 2 PHOTOMONTAGE - 1) 8x10 print of Photomontage Due LAB 3 COMBINATION PRINTING |
|
Week 11 |
Module 9: Street Photography / Chapter 8 / Discussion Boards - Quiz Visual Response Introduction |
|
Week 12 |
Module 10: Photography about Photography / Chapter 9 / DBs - Quiz LAB - work on research papers Make appointment at Writer's Corner - review of paper is required |
|
Week 13 |
Module 11: New Landscape and Portraiture / Chapter 10 / DB - Quiz Research Papers Due LAB Visual Response |
|
Week 14 |
Module 12: Subject Self, Invention, & Appropriation / Chapters 11&12 / DB - Quiz LAB 3 COMBINATION PRINTS Due LAB Visual Response April 24 Last Day to Withdraw from Classes |
|
Week 15 |
Module 13: New Technologies / Chapter 13 / Final Exam Opens Visual Response work in progress critique |
|
Week 16 |
Visual Response Class Critique |
|
Week 17 |
Comprehensive Final Exam (by the end of class - on line) - Pick up Projects |
Additional course material is available through AC Connect (Blackboard)
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