Experimental Theatre 101B
1:00 pm to 2:00 pm Monday, Wednesday, Friday
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DRAM-1351-002 Acting I
An introduction to the fundamental principles and tools of acting as used in auditions, rehearsals and performances. This may include ensemble performing, character and script analysis, and basic theater terminology. This exploration will emphasize the development of the actor's instrument: voice, body and imagination.
Student Resources Student Resources Website
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Students enrolled in an educational program in preparation for obtaining certain occupational licenses are potentially ineligible for such license if the student has been convicted of an offense. For further information, please contact:
Melodie Graves
Justice Involved Advocate
Student Service Center 117
mgraves24@actx.edu
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Make appointment at https://melodiegraves.youcanbook.me
You can also contact the Legal Clinic, or the faculty member in charge of the educational program that you seek to enroll in. The further information you will receive will include notification to you of your right to request a criminal history evaluation letter from the licensing authority in order to clarify your particular situation.
(3 sem hrs 3 lec )
On Campus Course
None required
The student will develop critical thinking skills (such as creative thinking, innovation, inquiry, and analysis, evaluation, and synthesis of information) by using the learning from in-class exercises in future scene work. The student will also work on communications skills; written skills through critique of the AC production during the semester; oral communication through oral critiques of fellow students’ presentations; and visual communication through physicalization of characters in scene work. Students will develop teamwork through in-class exercises, at least 12 hours of outside class rehearsals, and work on multiple character scenes. The student will explore social responsibility through evaluation of scenes to determine a scene’s appropriate audience(s) and to the members of his/her cast. And, finally, the student will delve into his/her personal responsibility through analysis of characters, and the connection between the actor and character.
By the end of the course, the student should be able to:
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Students are expected to come to each class prepared to fully engage their body, voice, and mind in the work. This course asks you to be curious, open to exploration, and willing to try new techniques, even when they may feel unfamiliar or outside your comfort zone. An open mind and a respectful, non-judgmental attitude toward yourself and others are essential to creating a classroom where everyone feels supported in taking risks and growing as an artist.
Much of the work this semester will be individual, but we will also work with partners and/or in small groups. Everyone is expected to focus on their own growth while also contributing to the growth of the class as a whole. This means being willing to communicate, collaborate, listen, and learn from one another. You do not need to arrive already knowing how to do everything. You do need to arrive ready to work, participate, experiment, and grow.
The performing arts, like most things in life, require discipline and professionalism. I expect both from every student in this course. Cell phones should be silenced and put away when class begins. We will have a lot of fun together, but having fun does not mean that we stop being focused, respectful, or professional. The best creative work often happens when we can be playful while still taking the work and one another seriously.
Class Attire and Physical Participation
This is a physical course, and students should come to class wearing clothing that allows for comfortable and unrestricted movement. Clothing or shoes that significantly restrict movement, including heels, tight or restrictive jeans, and similar items, are not appropriate for class activities. Long hair should be pulled back when needed, and jewelry may need to be removed for certain exercises to allow everyone to work safely and comfortably.
If you have a disability, injury, medical condition, or other physical need that may affect your participation in movement, stretching, breathing, relaxation, or other class activities, please communicate within the first week of class or as soon as any occur. You are not required to share private medical details. My goal is to work with you, along with appropriate campus resources when needed, to support your participation in the course and help you engage with the material safely and successfully.
The final grade will be calculated using the following breakdown.
Participation/Attendance = 20%
Monologues = 15%
A-B Scene = 10%
Play Critiques = 10%
Assignments = 20%
(GOTE, Analysis, Memorization, Character Collage, etc)
Test = 10%
Final Project = 15%
Students are also required to attend rehearsals that they have scheduled with their scene partners outside of class. If a scene partner misses a scheduled rehearsal or does not use the rehearsal time properly, the other partner should contact the instructor immediately.
Students are strongly encouraged to make good and wise use of the rehearsal times listed in the class schedule.
All assignments and critiques must be submitted through Blackboard within the timelines listed below in the Course Calendar.
*****Please remember that communication goes a long way. If you have issues or need help, please reach out.*****
Please note that if at any point in the semester it becomes necessary to adjust due date, that will be done at the discretion of the instructor.
August
25 Syllabus/Intro
27 Improvisation & Vocal Warm-ups
September ****Starting this week, every day will begin with warm-ups and a personal reading ****
01 Improvisation and Physical Warm-ups
03 Audition Monologue Performances
08 Trust & Improvisation
10 Stage Fright & Improvisation
15 Theatre Terms & Improvisation
17 Subtext & Improvisation
22 Theatre of Isms and Acting Techniques & Improvisation
24 Blocking and Rehearsals & Improvisation
29 GOTE
Goals & Obstacles, Other, Tactics & Expectations
Assign A-B Scene Partners and scenes
Sign up for workshop
October
01 NO CLASS TxETA ***You should rehearse during the time that we do not have class*****
06 Discussion: Critiques
Workshop with Carissa / in class Rehearsals
GOTE due (10/06) by 11:59 PM (submit in Blackboard) Rabbit Hole
08 A-B Scene Performances Oct. 8, 9, 10 at 7:30pm
12 Partner Critique #1 Due (10/12) by 11:59 PM ( Blackboard) Oct. 11 at 3:00pm
13 Discussion: Stanislavski
Monologue Selection due (10/13) by 11:59 PM (Blackboard)
15 Discussion: Stanislavksi Cont
Rabbit Hole Critique Due (10/15) by 11:59 PM (Blackboard)
20 & 22 FALL BREAK
27 Monologue Work
29 Monologue #2 Performances
November
03 Discussion: Subtext in depth
05 Discussion: Character Collage and Bio
10 Test review
Test OPEN: Nov. 10 @ 11:59 PM Test due before Nov. 12 @11:59 PM
***Tests completed after 11:59 pm on Nov. 12, will have a 10-point deduction reflected in the grade.
12 Monologue Work
17 Character Collage and Bio Due (11/17) by 11:59 PM (submit in Blackboard)
Must upload Personal Reading (11/17) by 11:59 PM (submit in Blackboard)
Monologue Work
19 Monologue #3 Performances
Partners assigned for Final
***Each absence from this date through December 10 results in 5-point deduction on the performance grade.***
24 Get selected scenes approved
Rehearse Scenes
26 NO CLASS: THANKSGIVING
December
01 GOTE & Character Analysis Due (12/03) by 11:59 PM (Submit in Blackboard)
Rehearse Scenes
Sign up to workshop scenes with Carissa
03 Workshop Scenes & in class rehearsals
08 Workshop Scenes & in class rehearsals The Minutes
09 Subtext Due (12/08) by 11:59 PM (Blackboard) Dec. 10, 11, & 12 at 7:30pm
10 Final In-class Rehearsal Dec. 13 at 3:00pm
15 Final Performances
16 The Minutes Critique Due (12/16) by 11:59 PM (submit in Blackboard)
Partner Critique #2 Due (12/16) by 11: 59 PM (Submit in Blackboard)
07/08/26 1:52 PM
07/20/26 10:34 AM